Tag Archives: desert

The solace of deep time

Comb Ridge along Butler Wash, Bluff to Blanding. Deep time in Utah by Betsey CrawfordIn his 1981 book, Basin and RangeJohn McPhee gave us a good analogy for the scale of deep time. Stretch out your arm sideways, and imagine that the 4.55 billion-year timeline of earth’s history runs from the tip of your nose to the tip of your middle fingernail. A quick swipe of a nail file would wipe out human history. So, a lot happened before we showed up. Vast seas came and went. Continents formed, coalesced, split apart, regrouped. Mountain ranges were pushed up and eroded away. More peaks were shoved up out of the remains. Volcanoes spewed untold amounts of lava and ash.  Great ice sheets advanced and retreated for eons. Plates moving over the surface of the earth met and groaned as one was forced under the coming edge, or crushed against it. Running water slowly eroded everything it passed over, forming great rivers that cut deep-walled canyons over millions of years. Life startled into existence and began its long evolution.

Rock tunnel along the road in southern Utah by Betsey CrawfordIt was wild. And I’m sorry I missed it, though the 300 million-year stretch of meteor bombardment would have been harrowing. The wonderful news is that we can still see into earthly deep time; all we have to do is look at rocks at any road cut, on any mountain or desert trail, along any coast. One of my favorite places for reading earth history is southern Utah, where you can literally drive through deep time. It’s not only an open book but it’s in vivid color. It’s almost in pages: layers of sandstone, limestone red with hematite, white limestone without, volcanic ash, volcanic tuff, tidal-flat mud, dinosaur footprints, ancient conifer and fish fossils.

Mancos Formation shale erosion along Route 24 in southern Utah. Deep time in Utah by Betsey CrawfordThe photos above and below were taken on the same drive, a couple of hours apart. Above is the lunar landscape left by the erosion of the Cretaceous era Mancos Formation. Some 95 million years ago mud quietly sifted out onto tidal flats, between the toes of dinosaurs, on the edge of an inland sea. The white rock in the picture below is Navajo Sandstone, laid down by wind in a vast desert of sand in the early Jurassic Era, which began 201 million years ago. It sits on top of the Kayenta Formation, whose layers were deposited in rivers, also in the early Jurassic. There was plenty of time for both. The early Jurassic lasted for 27 million years.

Trail in Calf Creek Recreation Area, Grand Staircase Escalante. Deep time in Utah by Betsey CrawfordIn the eleventh century, two widely separated but equally brilliant polymaths, Shen Quo in China and Ibn Sina in Persia, theorized about the geologic upheavals that might have formed the mountains surrounding them, and the seas that had apparently left behind the fossil-laden strata at their feet. They also conjectured about the vast length of time these processes must have taken. Shen Quo postulated that climate changed over time when he saw fossil bamboo in an area where bamboo no longer grew. But in Europe — where, despite many dissenters, the biblical account of creation held sway — it wasn’t until the end of the eighteenth century, with the writing of Scottish geologist James Hutton, that a more modern view of the formation of the earth began to take shape.

White, red and brown stone layers in southern Utah but Betsey CrawfordHutton lived near the Siccar Unconformity. Looking at stratified rocks at a 45 degree angle lying over older strata, tilted to the vertical, he saw something we now take for granted: the inconceivably long history of an earth where layer upon layer of silt sifted to the bottom of whatever sea was current at that time. In the ebbing and flowing of these ancient waters, layers were added onto lower layers, weighing them down until they hardened into stone, sometimes separated by breaks called unconformities. Hutton guessed that geological forces, which we know as the meeting of tectonic plates moving on the surface of the earth, pushed these strata off their horizontal axis. 

Mount Zion National Park. Deep time in Utah by Betsey CrawfordJohn McPhee is credited with the modern use of the expression ‘deep time,’ but I’d never heard it until the work of Thomas Berry entered my life. Both meant the same thing in scientific terms, though Berry was concerned with even deeper time — the 13.7 billion years since the universe came into existence. Berry’s thought was also infused with his spirituality and his deep appreciation of indigenous wisdom. The beauty of his philosophy is that he didn’t look at our eyelash-sized sliver of human history as an accident or addendum to the vast forces that had existed for so long before our arrival. Nor did he see us as a culmination of such forces. Rather, we are another manifestation of these great energies. Our unusual consciousness was not meant to set us apart from — and certainly not over — the rest of creation. We hold a way for the universe to see, feel, and ponder itself. 

Mount Zion National Park. Deep time in Utah by Betsey CrawfordI wish I could say that this billions-of-years perspective means I’m not buffeted by day-to-day affairs, either personal or political. But I am, whether from private concerns about my loved ones, or public fears for people I will never meet, but nevertheless cherish. Too much suffering is at stake. The damage to the earth, with more to come, is heart crushing. I mourn my former confidence in the strength of our institutions. For the first time since childhood I’m worried about nuclear war.

And yet, under the wash of day-to-day anxiety, Berry’s vision of deep time offers me a sense of strength and an underlying peace. When I stand on layers of stone in Utah, or indeed anywhere on the planet, I’m grounded into those molecules and the forces of those unfathomable years by the simple fact that I am part of them, made of the same stuff, here for the same reasons. I bring to them the gift of being able to reflect their beauty and mystery. They bring the literal ground of my being.

Along Route 12, through Grand Staircase Escalante. Deep time in Utah by Betsey Crawford

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

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Songlines 2016: landscapes of love and prairies

Songlines for 2016 start and end in Marin County, just north of San Francisco. Purple lines go east and north, magenta go west and south.

Songlines for 2016 start and end in Marin County, just north of San Francisco. Purple lines go east and north, magenta go west and south.

When I first described my love for the Aboriginal concept of songlines, the paths taken by the First Beings as they sang the world into existence, I said that one of the ideas I love best is that we are tasked with continuing the work in our own lives. As we walk through our days, we renew and replenish the songs of those beings, enriching our landscapes, continuing to bring life to life.

My songlines this year first had me crisscrossing Marin County, just north of San Francisco, both in the living of my life, and in the search for flowers. I spent lots of time in my ‘backyard,’ Ring Mountain, and treasured the rare flowers found there. I discovered that Marin County is a rarity hotspot, with an unusual number of rare flowers, due in part to the beautiful but deadly serpentine rock underlying much of the coast. 

Tiburon mariposa lily (Calochortus tiburonensis) growing on Ring Mountain in Tiburon, California by Betsey Crawford

Tiburon mariposa lily (Calochortus tiburonensis) which appears on Ring Mountain in Tiburon, California and nowhere else on earth.

At the beginning of June I left on farther flung adventures. Because my reports on my travels featured many flowers, I thought for this final post of the year I’d celebrate the landscapes I moved through along the way. As a photographer, I focus more on wildflowers, but I am equally passionate about the land around them. The experiences are both different and the same. Being with a flower is an intimate visitation, inches away, often on the ground with them. Being in landscapes is a passage I make while walking or driving through, eyes raised, surrounded by wonder. Both are a meeting of souls, a constant coming home to my connection to the earth. 

Red rock and blue sky, one of many incomparable landscapes in the Valley of the Gods in southeastern Utah by Betsey Crawford

Red rock and blue sky in the incomparable Valley of the Gods in southeastern Utah

1. The first landscape is from a favorite area — southeastern Utah — which I visited with a favorite person — my son, Luke. We first drove through here 19 years ago, when he was ten, and we both feel the powerful pull of the magic and mystery of this land. I reposted an essay about the wisdom this ancient landscape teaches us in A Land of Stone Tablets.

Ancestral Pueblo ruins create amazing landscapes at Mesa Verde National Park in Cortez, Colorado by Betsey Crawford

The Cliff Palace, Ancestral Pueblo ruins at Mesa Verde National Park in Cortez, Colorado

2. On this trip we were drawn to the centuries-old ruins of the Ancestral Pueblo people. The remains of their stone buildings, often tucked into cliffs, are a common feature of southwestern landscapes. We happened on several ruins as we explored, and hiked around a wonderful preserved village at Hovenweep National Monument. I’ve always loved the history of ordinary people, and from single structures built into rock overhangs to entire villages, these are intensely moving, a direct connection to the lives of the people who carefully built and lived in them. Mesa Verde National Park protects several spectacular sites, including this one, called the Cliff Palace.

Red rock canyon walls create stunning landscapes along the Dolores River between Naturita and Gateway, Colorado by Betsey Crawford

Red rock canyon walls along the Dolores River between Naturita and Gateway, Colorado

3. Luke flew home from Grand Junction, Colorado, so we got to see the spectacular canyonlands between Naturita, where we stayed for a couple of nights, and Gateway, north of which the lighter limestone formations so distinctive of the Grand Junction area slowly take over. Driving through this whole area is one endless lesson in the history of our planet, and here I was particularly caught by the thin white line. It occurs in the Chinle formation, which formed in the Triassic era, 201 to 252 million years ago. It’s possible the white layer is volcanic ash, though ash layers tend to be shades of gray. It could be limestone, though it’s very white for that, too. It could be gypsum left by a shallow, and fleeting — in geological terms — sea.

Or it could be something else. What we can see at a glance is that it was the result of a relatively brief phenomena, that didn’t repeat itself in this spot for the rest of the Triassic, or into the Jurassic, which is when the upper cliffs were laid down. Like a dinosaur footprint, or the conifer fossils common in the Chinle, it brings us to a moment in time. It could be a moment that lasted 100,000 years, but in our planet’s history, that is still a moment. I find this very helpful for putting the headlines of the day in perspective.

Old-fashioned windmills dot the landscapes of the Pawnee National Grasslands, northeastern Colorado by Betsey Crawford

A windmill in the Pawnee National Grasslands, northeastern Colorado

4. I left the southwest for very different landscapes. I was on a quest for prairies, and started with the Pawnee National Grasslands in northeastern Colorado, about an hour and a half north of Denver. The goal of the Grasslands, which form a patchwork with privately owned land, is to restore this very arid land to grazing, which also helps restore the prairie. The landscape is dotted with these windmills, which provide the power to bring well water to the surface to fill drinking tubs for the cattle. In our high tech world I took comfort in their prosaic task and simple talents, but also found them rather haunting, alone out on the prairie, particularly when paired with a wild sky.

Clouds and farm fields dominate the landscapes along Route 40 in western Kansas by Betsey Crawford

Along Route 40 in western Kansas

5. The landscapes above and below are a pair. My second prairie was in western Kansas, which I described, along with the area’s fascinating and complicated prairie dog wars,  in Smoky Valley Ranch. One evening on my way back from the ranch I drove west on Route 40 to see what I would see, and found myself among vast farm fields. The sky — often more turquoise than I am used to elsewhere — is as important an element of prairie landscape as the land, and on this trip I had the joy of a storm coming in. In the first picture, you can see, at the top, the dark clouds beginning to move over the sun-drenched wheat. In the second, you can see the change in the sky when I drove through on my way back. I escaped the rain this time, but I’ve never been in wilder thunderstorms than Kansas had to offer.

The wild thunderstorms of Kansas create their own landscapes along Route 40 in western Kansas by Betsey Crawford

Storm coming in along Route 40 in western Kansas

An old schoolhouse, one of many striking landscapes in the Tallgrass National Preserve in the Flint Hills, Kansas by Betsey Crawford

An old schoolhouse in the Tallgrass National Preserve in the Flint Hills, Kansas

6. Next stop was Chapman, Kansas, my gateway to the prairies of the Flint Hills, the Konza Preserve in Manhattan and the Tallgrass National Preserve an hour south. I’m not often drawn to buildings as subjects for photos. But I loved this old one-room schoolhouse, built out of the region’s mellow sandstone, alone on top of a hill, among the stormy clouds. In Saved by Stone, I described the sad limits of the remaining tall grass prairie, and how the rock in the Flint Hills helped preserve what remains. And, of course, how beautiful it all is.

One of the vivid landscapes seen in Wah Kon Tah Prairie in El Dorado, Missouri by Betsey Crawford

Wah-Kon-Tah Prairie in El Dorado, Missouri

7. My posts from Missouri — Surprised by Delight and Walking in Beauty —  celebrated the beauty and the unexpected amount of fun I had in Missouri, thanks to meeting some wonderful prairie people as well as an adventurous baby bird. One evening I took a walk in the Wah-Kon-Tah Prairie in El Dorado, and, once again, the sky and land came together in splendor.

Pasture thistle (Cirsium discolor) Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Pasture thistle (Cirsium discolor) Curtis Prairie, Madison, Wisconsin

8. This was a year of family, thus the love in the post’s title. I spent time with Luke, with my sister Ann outside of Denver, with my brother and sister who live in Milwaukee, and the whole family gathered there for a reunion on Labor Day weekend. In Love, Grief, Wildflowers, I wrote about a trip with my brother, who is very ill, to Curtis Prairie in Madison, the oldest prairie restoration in the world. I only had eyes for him and for flowers that trip. I chose this one because thistles were so omnipresent in the prairies that they became symbolic. I grew up in an area where they are invasive pests, but they are so handsome and sculptural — in leaf, bud and flower — that I was delighted to be in places where they are welcome natives.

The badlands in Theodore Roosevelt National Park, North Dakota create vivid landscapes by Betsey Crawford

The badlands in Theodore Roosevelt National Park, North Dakota

9. After leaving Wisconsin, I stopped south of Minneapolis to have breakfast with a friend, and then drove along the northern tier. On an earlier trip through North Dakota I’d been surprised to find that there are badlands there, too. These landscapes are not as spectacular as the ones in the South Dakota badlands, but they are wonderful, and another vivid reminder of the slow, patient work of our planet. This time I planned a stop so I could walk among them.

Kootenai National Wildlife Refuge, Bonners Ferry, Idaho, one of many beautiful landscapes in the Rocky Mountains by Betsey Crawford

Kootenai National Wildlife Refuge, Bonners Ferry, Idaho

10. After the badlands, I kept going toward Coeur d’Alene, Idaho. I think of northern Idaho as a wonderful place to be because Luke lives there. But it’s also spectacularly beautiful, nestled in the mountains, with lots of lakes, unusual for the Rockies. There are some exceptionally deep glacial lakes, and many streams, like this one in an area that used to be farmed. Now the Kootenai Wildlife Refuge, what little farming still happens here is designed to provide seed for migrating birds.

After a month in Idaho I drove south to Marin once more, along the Pacific coast landscapes of water, shore, and redwoods, continuing to sing my life into existence. The First Beings, who formed themselves out of primordial mud to take on the task, never said this singing would be easy. Between my brother’s illness, the state of the world, and the myriad challenges that come our way, day after day, it wasn’t. But I had wonderful times traveling my songlines this year.

I’ve come to understand that joy, like love, is a state of being, not a reaction. Fear, grief, anger are reactions. They all have their place, they’re all inevitable, since vulnerability is also a state of being, and one we can never escape. I would love to get to the place where joy is a state I can’t escape, either, but until then, it’s good to know where I can find it: on the ground among the flowers, meeting new friends in unexpected places, being with loved ones in ancient canyons and open prairies, walking toward a sun setting in flashes of rainbow and streams of glory. As the light returns and a new year dawns, I wish everyone an enduring state of joy.

The sun setting over Mount Tamalpais, Marin County, California create beautiful sky and landscapes by Betsey Crawford

Sun setting over Mount Tamalpais, Marin County, California

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

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Happy Halloween: slightly ominous, very orange

Orange flowers-Globe flower (Trollies species) taken in Manito Park, Spokane, Washington by Betsey CrawfordWhen I first saw the picture of the trollius above, taken at a lovely garden in Manito Park in Spokane, Washington in 2012, I was struck by how ferocious it looked, though the trollius itself didn’t inspire that thought when I took it. It was the only time I’d ever associated the word ‘ominous’ with a flower. I was reminded of it this fall, as I took pictures of fading flowers and my beloved seedheads. I realized that some, in their withered and darkened states, were slightly spooky. Others were ghost-like. One even had a seed pod like a withered claw.

Orange flowers-Purple coneflower (Echinacea purpurea) taken at Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Spooky petals and fierce spikes: purple coneflower (Echinacea purpurea) Curtis Prairie, Madison, Wisconsin

So I decided to do a Halloween post celebrating the slightly ominous in flowers. As I went through my collection, I was amazed at how many I found to fit this theme, whether it was a shape, or the play of the light, or the possession of spines, or the dark lure of fading petals, or simply Halloween’s emblematic color. I have photos to celebrate Halloween for years. For this one, something fairly typical of me happened — I was attracted to all the orange flowers.

Asked to choose my favorite color I would find something on the lavender/purple spectrum.  I keep my environments relatively neutral. I like the soft browns and greens of earth tones. Neither pure red nor pure yellow is at all becoming to me. But I’m drawn to orange, both in flowers and clothes. One of my most vivid childhood color memories is of a bright orange dress, pleated from the shoulders to the hem, that I wore in second grade. Another is of a coat, the color of the cactus below, that my mother bought me for Easter one year.

Orange flowers-Gander's cholla (Cholla cylindropuntia ganderi) taken in the Anza Borrego Desert in southern California by Betsey Crawford

Sharp spines and scary buds: Gander’s cholla (Cholla cylindropuntia ganderi) in the Anza Borrego Desert in southern California

It’s not a common color for flowers, particularly in the wild. On Mike Haddock’s wonderful Kansas wildflowers site, he includes 10 orange flowers in a section with pink and red flowers. Yellow flowers get their own section to accommodate 192 different flowers. Blues and purples are a close second at 186. Whites dwarf them all at 312. They are even more rare in the desert. There is a wider variety of orange flowers for gardeners and florists, because growers and propagators aren’t depending on native plants alone. They find plants all over the globe, and encourage the colors they want by creating cultivars of likely prospects.

Our color readers are cone shaped neurons embedded in our retina, six million in each eye. Almost two-thirds of them preferentially read the longer wavelengths of the warm colors — red, orange, yellow — and are able to distinguish more color variation in those tones than in blue or purple ones, which are transmitted by only 2% of our cones. The remaining third are dedicated to green wavelengths. From those ranges come all the color variations we are sensitive to.

Orange flowers-Purple coneflower (Echinacea purpurea) taken in Sandpoint, Idaho by Betsey Crawford

Skeletal petals: purple coneflower (Echinacea purpurea) Sandpoint, Idaho. The bright colors in the background are orange leaves on the ground.

The carotenes in orange flowers — the same chemicals that make orange fruits and vegetables so good for us — selectively absorb and reflect light waves of specific lengths. The reflected ones enter our pupils, excite the cones that are receptive to that length, and our brain tells us that we are looking at orange. Like the proverbial tree falling alone in the forest, creating sound waves no one hears, without brains to interpret the messages brought by these wavelengths, there would be no color. The flower would still have carotenes, the light from the sun would still both be absorbed and bounce off it, cones would even get stimulated. But they only telegraph their excitement. The brain — ours, a hummingbird’s, a butterfly’s — translates the result.

Orange flowers-Orange globe mallow (Sidalcea malviflora) taken at Newspaper Rock in southeastern Utah by Betsey Crawford

Lit from within: orange globe mallow (Sidalcea malviflora) at Newspaper Rock in southeastern Utah. Malviflora sounds a bit ominous, but it only means it has mallow-like flowers.

Human enjoyment of its color isn’t a flower’s first priority. Their gorgeous hues are designed to lure pollinators, and did so for eons before we showed up. Hummingbirds see in the near-ultraviolet spectrum, which makes reds, oranges and bright pinks pop out for them. Our biblical heritage, where the earth was presented to us to use and enjoy, makes it hard to accept that these beautiful colors aren’t designed for our pleasure. Where does our delight fit in? The joy of the little girl twirling in her bright orange pleats, the joy of the woman sitting among cups of orange light? It’s hard to think of ourselves as bystanders of all this splendor, able to enjoy it, but having no reciprocity. Do flowers know they’re loved? Have they, in fact, enslaved us by their beauty, ensuring millions of us will spend hours each day growing more and more flowers? What a great plan!

Orange flowers-Monkey flower (Limulus aurantiacus) in the Charmless Wilderness in the Santa Monica Mountains, California by Betsey Crawford

A light in the dark: monkey flower (Mimulus aurantiacus) in the Charmless Wilderness in the Santa Monica Mountains, California

The idea that beauty nurtures us in order for us to nurture beauty reminds me of my discussion of Nicholas Humphrey’s theory that our ability to feel awe has been chosen by evolution to more deeply connect us to the earth we inhabit. To make what can be a very difficult life worth living. And the even larger idea, first introduced to me by Thomas Berry, that our consciousness has evolved to allow the cosmos to reflect on its own luminous creations. I love the thought of the creative energies patiently working, on a time frame we can’t begin to fathom, to insure that there will one day be enough hyper-sensitive cone-shaped neurons nestled in the retina, and a powerful enough optic nerve traveling to a large enough brain. All so that the universe can contemplate its own beauty, reflected in vivid orange flowers.

Orange flowers-Columbia lily (Lilium columbarium) taken at a roadside stop in southern British Columbia by Betsey Crawford

Just for beauty: Columbia lily (Lilium columbanium) at a roadside stop in southern British Columbia

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

Beautiful vampires: the castilleja genus

Alaskan coastal paintbrush (Castilleja unalaschensis) taken in Moose Pass, Alaska by Betsey Crawford

Alaskan coastal paintbrush (Castilleja unalaschensis) in Moose Pass, Alaska

I first saw a paintbrush, a member of the castilleja genus, in Idaho. Then again in southern California, and then northern. Then Colorado and Utah, British Columbia and Alberta, and then Alaska. I haven’t yet seen them in Wyoming, but it’s the state flower, so I know they’re there. In other words, if you’re west of the Mississippi, it’s easy to find castillejas. They grow in almost all conditions except swamps or deep woods, and are able to withstand toxic serpentine soils when they have to. There is one species in the 250-strong family that grows in the east, but I’d never seen one before coming west.

In most places they’re hard to miss: many are as vivid a red or orange as you can find, they usually stand one to two feet tall, and they grow in patches. The vivid color is not the flower, but modified leaves called bracts. These surround and protect the inconspicuous flowers, whose petals wrap around each other, forming a tube. Though the flowers are bright green, they can’t hold a candle to the brilliance around them. The colorful bracts do the job that petals normally do: lure pollinators, especially butterflies and hummingbirds.

Red paintbrush (Castilleja rhexifolia) taken in Waterton Lakes National Park, Alberta, Canada by Betsey Crawford

Red paintbrush (Castilleja rhexifolia) Waterton Lakes National Park, Alberta, Canada

Paintbrushes are also white, pink, yellow and purple. As common as they are, it’s impossible to take them for granted, because they change with the available light, so you never know what you’re going to find. On a cloudy day, high on a mountain in British Columbia, were alpine versions — one red, one magenta — that glowed in the muted gray light. The luminous yellow Alaskan native does the same thing in the long summer twilights. I found a red one on fire against the bright rock of a Utah trail, and a chrome yellow one in front of a blackened log in a burned forest. A white one shone in the shade at the edge of the woods in Waterton Lakes, and a red one, along a woodland path, glittered in a shaft of sunlight.

Alpine paintbrush (Castilleja miniata) taken on Hudson Bay Mountain, Smithers, British Columbia by Betsey Crawford

Alpine paintbrush (Castilleja miniata) Hudson Bay Mountain, Smithers, British Columbia

They are everywhere, and irresistible, and interesting, because they’re parasites. They have green leaves on the stem below the bracts, and then a cluster of leaves at the base. That means they can photosynthesize, but usually they find a host to help out, often a grass or sagebrush, but it can be other flowers and shrubs, as well. They send out haustoria, specialized roots that penetrate the host’s roots, slithering between cells. There they find water and nutrients to supplement their own photosynthesizing.

They’re not alone in this. Castillejas have recently been put into the Orobanchaceae, a whole family of parasites. Some are completely parasitic;  some, like the castillejas, partially, or hemiparasitic. At first glance, it’s hard to see why evolution thought this was a good idea. It certainly benefits the parasite, and some do no discernible harm, but most affect their hosts in some way. About 10% of the 270 parasitic genera are invasive pests, causing serious problems for farmers, and capable of killing hosts in natural settings.

Coast Indian paintbrush (Castilleja affinis) taken in Solstice Canyon, Malibu, California by Betsey Crawford

Coast Indian paintbrush (Castilleja affinis) Solstice Canyon, Malibu, California. You can see the spiky green flowers, protected by the bracts, as well as the fine white hairs that many castilleja share.

Castillejas don’t kill their hosts, though studies have shown that the hosts are less robust than they otherwise would be. That sounds like a negative, but one of its effects may be to allow more diversity in an area by preventing one or two species from dominating.  Castillejas are usually biennials, growing from seed one year, blooming the next and dropping their seed to germinate the following spring. Taking advantage of the mature, deep roots of the perennial plants around them means a ready source of nourishment and water, allowing them more vigorous growth in their short life. That fast cycle has another possible good effect: they quickly return nutrients to the soil through their decaying leaves.

Desert paintbrush (Castilleja chromosa) Butler Ruins, Blanding, Utah by Betsey Crawford

Desert paintbrush (Castilleja chromosa) Butler Ruins, Blanding, Utah

So, while they are not symbiotic, with obvious mutual benefit to both plants, they really aren’t vampires, despite my inability to resist the title. Parasite is from the Greek for ‘next to’ (para) and food (sitos), thus giving us ‘next to the food.’ Which, while accurate, is pretty dull. And this underground search for food is anything but dull. It brings us back to the fascinating question of what plants know, and how they know it. Although roots can bump into each other, evolution wouldn’t favor their chance meeting. Are the castillejas sensing chemical signals given off by the roots of the host plant? The stems of dodder, the most famous of the invasive parasites, can ‘smell’ its highly desired tomato plant and sends its tendrils that way.  But those chemicals are airborne. Can plant ‘scents’ travel underground?

Apparently. Plants use their aromatic phenolic compounds, the same family of chemicals that give us, for example, flavonoids and other antioxidants,  to ‘talk’ to each other. In the case of root parasites, the host’s phenolic molecules move through the soil and are converted by enzymes in the parasite into ‘haustorium-inducing factors.’ The haustoria get underway, following the chemicals back to the host’s root system. There they penetrate the cell walls without destroying the cell membrane, and begin to pipe nutrients, carbon and water back to the parasitic plant.   This exchange is facilitated by the higher transpiration rate of some parasites. Evaporation is faster from castilleja leaves, which pulls water away from the more slowly transpiring host’s roots.

Harsh paintbrush (Castilleja hispidus) growing in a burned forest along the Stanley Glacier Trail, Kootenay National Park, British Columbia by Betsey Crawford

Harsh paintbrush (Castilleja hispidus) growing in a burned forest along the Stanley Glacier Trail, Kootenay National Park, British Columbia

While we stand enchanted by their vivid and luminous beauty, castillejas are busy. The have a lot to do in the two years they live, and have to pack all the nutrition they can into their seeds. All to continue to lure hummingbirds, get pollinated, and keep the family line going. Of course, they are not ‘thinking’ about all of this, but there is an intelligence at work, and I find that profoundly moving. Though our evolutionary ways parted company two billion years ago, we share common ancestors, and still share a quarter of our genes with plants. What became our prefrontal cortex has its origins in the same rudimentary processing cells that our ancient relatives once shared.

Orange paintbrush (Castilleja integra) Green Mountain Park, Lakewood, Colorado by Betsey Crawford

Orange paintbrush (Castilleja integra) Green Mountain Park, Lakewood, Colorado

In order to prosper, all living things have to be able to respond and adapt to the world around them. Some people have a hard time calling this intelligence, reserving that trait for the human mind, and perhaps for animals that show signs of operating from more than instinct. At the end of his fascinating book, What a Plant Knows, botanist Daniel Chamovitz suggests instead that we think in terms of plants being aware of the world they inhabit. But I have no trouble with the word intelligence. I like his idea that “‘human’ may be only a flavor, albeit an interesting one, of intelligence.” This concept helps open the boundaries we’ve used to set us apart from the rest of creation, a crucial step in the care and preservation of the natural world.

White paintbrush (Castilleja occidentalis) taken in Waterton Lakes National Park, Alberta, Canada by Betsey Crawford

White paintbrush (Castilleja occidentalis) Waterton Lakes National Park, Alberta, Canada

There are more pictures in the Castilleja gallery.

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

A land of stone tablets, once again

Newspaper Rock petroglyphs near Monticello, Utah by Betsey Crawford

Newspaper Rock, Monticello, Utah

[In Moses in Utah, I described driving into southeastern Utah for the first time with my then 10-year-old son, Luke. Nineteen years later we returned together, and spent a week with the mysterious energies that have such a strong pull for both of us. When I was there last year I celebrated the great beauty and deep wisdom of that unique landscape, and I’m reposting that celebration in honor of our recent visit.]

I’m still wandering the desert with Moses. He’d be very used to this, but, though I love it, I’m positive I’d find forty years a few decades too many. Well, of course, he would say, with the air of a man who has come to grips with doing what his god says, no matter how capricious, no matter what the cost. I thought I was going out there for a few months.

Presumably, when you’re leading your people out of slavery, decades of wandering in the desert isn’t as bad as it seems on paper. It’s not as if Moses were thinking, I could be a CEO earning $13,000 an hour if I didn’t have this stiff-necked tribe to deal with, and this ornery God handing me stone tablets. Options were few, and they were, after all, going to another dry and rocky place. The Aztecs wandered for 200 years before finding the sign to their promised land, which turned out to be a swamp. So there are a number of demanding gods out there.

Geological formations along the road in southern Utah by Betsey CrawfordWe’re walking on a day when the sky is a blue so deep and incandescent that it could easily burst into flames at any moment, and start raining stone tablets. As it apparently has been doing for eons. The tablets are everywhere. They have our history written on them. It’s even color coded, if a bit disorganized in every other way, after being pushed and shoved by millions of years of geologic upheaval.

The great tales of long tribal wanderings speak of our own slow evolution as a human race, and also as individuals. So many of us yearn for instructions to manage our lives in this often wild and inexplicable existence. We have the most basic questions: Why? What?  How? We long for clarity. We want stone tablets with the rules for living on them.

And here they are. They’re everywhere, not just in Utah, though they’re more spectacular here than many places. They have the simplest of commandments. Tread lightly, they say.

Biological crust in Butler Wash, outside of Blanding, Utah by Betsey CrawfordThe sandy soil to the side of the path is covered with a dark brown layer — made up of broken down moss, lichen, cyanobacteria, microfungi, and other microorganisms — called a biological crust. It prevents erosion, provides nutrients to sandy soil, holds water, enables rootlets to find secure footing. If I step on it in this dry environment, it won’t recover for 250 years.

Lichen covered stone path in Butler Wash, near Blanding, Utah by Betsey CrawfordDon’t waste. Here is a rock path where you can see no rock at all. It’s a beautiful lichen painting. The lichen are slowly detaching the bonds that hold the rock together, one facet of the complex, millions-of-years-long process that creates the living soil our planet depends on.  Dirt is not cheap.

Dry wash in Mount Zion National Park, Utah by Betsey CrawfordExcept for a few hours a year, washes and streams are dry expanses of tumbled rock. Respect limits, the tablets say. If you put golf courses, shopping centers, houses in the desert, one day you will run out of water.

Dinosaur footprints in Buterl Wash, near Blanding, Utah, by Betsey CrawfordBe humble. A three-toed dinosaur walked through this mud-turned-stone 150,000,000 years ago. They were the big shots of their day.

Petroglyphs at Sand Island State Park, Bluff, Utah by Betsey CrawfordMake art. Celebrate life.

Don’t use too much, take care of all breathing things, sustain all the non-breathing things we depend on. We think it’s complicated, but it’s not. We make it complicated by what, to me, are two of the most damaging legacies of the Old Testament: that certain people are chosen, and that humans have been given dominion over the earth. These ideas weren’t new with the Israelites, but the bible helped codify them.

The stones around me hold the history of the cosmos, as do I, as does my dog, Splash, patiently sitting in the shade while I take pictures of wildflowers. In the first moments of the big bang every particle that will ever exist in our universe was already created. They proceeded to meld and blend and be forged in the three-billion-degree heat of the earliest stars, eventually forming the elements that make up this rock, that course through my veins, that hold up the stem of the flower.

Orange globe mallow (Spheralcea munroana) in Mount Zion National Park, Utah by Betsey Crawford

Whatever we call the force that exploded every bit of us into being, we are ongoing manifestations of it. The same energy, expressed differently, now a rock face  200,000,000 years old, now a woman of sixty-four, a dog of fourteen, a days-old flower glowing orange against the rocks.

This means we are made of exactly the same particles as everything else. When I really think about this miraculous, inherent relatedness, it makes it harder to feel superior because we have iPhones, Starbucks, jets, guns. Our path of evolution has given us the opportunity to reflect on our connection to everything in the cosmos. Instead we use it to fight over literal surface differences. We have made our form of consciousness a god, and have created a covenant with that god, to choose us over all other forms on the earth.

It’s not sustainable, and we all know it. Perhaps not in our vaunted consciousness. But our earthy bodies know we are part of the dirt, the plants, the stars. each other. Bodies that long for reconnection, that know separation is death. We, too, are tablets with the instructions we long for.

Red rock formation in southern Utah by Betsey Crawford

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

Native plants: the genius of their place

Native plants tidy tips (Layia platyglossa) against a background of California poppies (Eschscholzia californica)

Tidy tips (Layia platyglossa) against a background of California poppies (Eschscholzia californica)

When we use the expression ‘genius loci’ today, we don’t usually mean something religious, but rather the spirit — or, in more secular terms, the essence — of a place. The classical Romans, from whom we inherited the term, were speaking of literal spirits, guardians not just of a specific place, but everything that went with it. Roman life was filled with genii of all kinds, protecting families, buildings, towns, their senate, their legions, their emperor. Even a god could have a guardian sprit.

In the eighteenth century, poet and gardener Alexander Pope brought the idea into modern landscape and architectural design with his admonition to the Earl of Burlington to ‘Consult the genius of the place in all…” He wrote in the midst of a resurgence of classical Roman architecture, launched by the Italian architect Andrea Palladio a century before. At the time, highly formal gardens planted in strict designs were the norm for those who could afford them, and Pope urged his admirers to forsake such strict conventions.

Native plants shooting stars (Dodecatheon pulchellum) on Tubbs Hill in Coeur d'Alene, Idaho by Betsey Crawford

Shooting stars (Dodecatheon pulchellum) on Tubbs Hill in Coeur d’Alene, Idaho

He wasn’t recommending wild gardens, by any means. Near the grand house they remained quite formal. Farther out they became ‘wilderness,’ which meant that the plantings and ornaments were carefully contrived to look natural, not that the landowner was to leave things to chancy nature. This was the Age of Enlightenment, after all. Fixed dogmas of all kinds were to be replaced by reason, balance, rationality, and science.

Pope’s counsel launched a philosophy that informs designers and architects to this day. In the twentieth century, architect Frank Lloyd Wright and landscape designers like Jens Jensen led the way toward working with the details native to a particular place: its plants, terrain, stone, wood, water, light, air, vistas. This was the spirit I tried to follow in my years as a landscape designer, though it’s a challenge in built-up, suburbanized areas, where so much of the native landscape has been demolished.

Native plants hummingbird sage (Salvia spathacea) in Solstice Canyon, Malibu, California by Betsey Crawford

Hummingbird sage (Salvia spathacea) in Solstice Canyon, Malibu, California

Now that I’m free to wander and find native plants and flowers wherever I go, I often remember the spirit of a place by the plants that I saw there. The quiet of the north Idaho woods. Windswept California meadows full of tidy tips and California poppies. The wild-scented sage chaparral of the Santa Monica Mountains. I can follow a desert trail of cactus from southern California through Arizona, on to New Mexico, and north to Utah. The thought of creosote instantly brings up the pungent smell of the Anza Borrego Desert after rain.

Native plants tell me a complex story about the place they’re in: what the soil is like, how much sun and water falls on them, whether they are adapted to unique conditions, how hardy they are, how close to the ocean or forest, what their companion plants are likely to be, who and what pollinates them. They bring back the scents, the bird song, the sighing of wind, the feel of the air, the rock and soil under my feet. They hold the long history, and, I sincerely hope, the future of the places where I find them.

Desert wildflowers and native plants bloom for the first time in years in Borrego Springs, California

Desert wildflowers bloom prolifically for the first time in years on land rescued from wild mustard in Borrego Springs, California

They are far from indomitable, being all too easily displaced by aggressive invaders, plants that find it easy to grow under many different conditions, that are quick to take advantage of any niche they find, that are prolific seed producers. Everywhere I go there are groups dedicated to eradicating non-natives. Last year in Borrego Springs, California, acres of desert flowers bloomed for the first time in many years because volunteers had spent countless months pulling out invasive mustard. They were given a final boost when a drought went into its third year. The mustard couldn’t handle it, and its seeds were destroyed. But the native seeds, used to going dormant to deal with dryness, were waiting, and sprang up the second they had a chance.

Native plants apache plume (Fallugia paradoxa) in Snow Canyon, Saint George, Utah by Betsey Crawford

Apache plume (Fallugia paradoxa) in Snow Canyon, Saint George, Utah

The loss of native plant habitat is a human-induced phenomenon. Clearing ground for roads and buildings opens soil for invaders. Cargo from ships, trains and trucks crosses the country. Seeds can travel as far and fast as we can, attached to our tires, our shoes, our suitcases, our pets. Gardening brings exotic plants to areas that can’t resist them. Agriculture brings a host of seeds to an area, as does growing fodder for livestock, so that hay, for example, has replaced the native grasses on the California hills.

Native plants yellow monkey flower (Mimulus gutattus) in Beluga Slough, Homer, Alaska by Betsey Crawford

Yellow monkey flower (Mimulus gutattus) in the luminous, long, northern twilight. Beluga Slough, Homer, Alaska

The efforts to wrest habitat back from the brink are heroic, and crucial. But, because it works backward from destruction, it’s often a losing battle. The soil is full of the invading seeds at that point. Clearing the California hills of hay is not going to happen. The best answer is to preserve habitat to begin with, but since this involves collaboration among government agencies and boards, builders, homeowners and developers, it’s a process beset by all the things politics, money and human relations are usually beset by. People love wildflowers and trees and the native landscape; they will go far out of their way to enjoy such things. But it’s a different story when those same plants are perceived as being in the way.

Native plants creosote (Larrea tridentata) in the Anza Borrego Desert, California by Betsey Crawford

Creosote (Larrea tridentata) in the Anza Borrego Desert, California

This is why I’m sorry we’ve lost the original meaning of genius loci. If we thought of our native plants as spirits, as guardians of their place, we might be much less willing to destroy them. And they are guardians and protectors of their neighborhood, part of the network of beings and entities — trees, soil, rocks, flowers, grasses, animals, insects, fungi, lichen — that both create and hold that habitat together. Some of it will inevitably be supplanted by houses, offices, stores, roads. I’ve loved my homes. I happily use the roads that take me on so many magical adventures. Our cities and towns and shopping centers aren’t going anywhere, and more are coming.

But how differently we would design them if we thought the earth they stand on was alive and sacred. If we could recognize that the natural landscape is important in ways that we can’t fathom. Imagine thinking that it’s as important as we are. Perhaps even more so, since the earth can survive without us, but we can’t survive without its bounty. What if we took Pope’s admonition literally, and consulted with the spirit of the place in all our endeavors? If the question ‘How can I protect this?’ preceded ‘How can I use this?’ Then each of us, too, would become genius loci, a guardian spirit of place.

Native plants strawberry hedgehog cactus (Echinocereus stramineus) Cross Canyon, Colorado by Betsey Crawford

Strawberry hedgehog cactus (Echinocereus stramineus) Cross Canyon, Colorado

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

It takes a village: the community of lichen

hypogymnia-species-alectoria-samentosa-witchs-hair-lichen-lobaria-pulmonaria-lungwort-Fish-Creek-Hyder-Alaska-by-Betsey-CrawfordThe farther I went north last summer, the more I found a world full of lichen. It’s everywhere in Alaska, and a dominant species in the arctic tundra. But it’s everywhere else, too, covering 8% of the world’s surface. Lichen holds the desert in place, fills the forests, hangs off branches in cool, damp coastal woods as well as in warm swamps. It’s on the trees in your backyard, slowly covering your grandparents’ tombstones, growing on fence posts, spreading under your feet as you climb mountains.

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Large lungwort (Lobaria pulmonaria) ‘leaves’ live with a species of Cladonia among the moss and ferns on a tree in the Kenai National Wildlife Refuge in Alaska

Lichen is indeed a village: it’s composed of varying forms of fungi, algae, and cyanobacteria living in symbiosis. Strands of fungi weave together to provide housing, which protects the algae and bacteria from environmental challenges like desiccation and UV radiation. The algae and bacteria provide food via sugars formed through photosynthesis. The resulting body, or thallus, lives on its substrate — wood, soil, rock, occasionally air — along with other members of the community, usually moss, often other forms of fungi and algae, and the trees, ferns, flowers, rocks, and animals of whatever environment it’s growing in.

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Black-footed reindeer lichen (Cladonia stygia) mixed with snow lichen (Flavocentria nivalis) in the Yukon tundra

Though I am no lichenologist — identifying the few lichens here that I’ve been able to name was a study in cross-eyed bewilderment — I’ve always been fascinated by them. I went to Denali National Park one day to hike, but, on finding a world covered with lichen, got down on the ground and spent the afternoon with them, in all their variety: tiny, lacy shrubs of one lichen run through with little branchlets of another, next to a large patch of dark brown sheets of felt lichen. A white crustose lichen so completely covered the flange of a tree stump that it wasn’t until I put my hand on it that I realized I was looking at wood, not granite. That white crust was dotted with a pink one. Tiny spires, holding up minute cups, occasionally edged in vivid red, grew all over the rest of the stump, happily embedded in moss.

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A Cladonia species around a tuft of snow lichen (Flavocentrai nivalis)

This plucky, endlessly adaptable, weirdly beautiful, not-plant, not-animal feeds reindeer and caribou. It holds and releases moisture, helpful to the plants that grow with it. It has some medicinal uses, and shows up in Japanese and Korean cuisines. Some are used as dyes, and some in making perfume. But its most important ecological contributions are its ability to take nitrogen from the air and add that essential element to the soil; its ability to live in, stabilize, and form soil in barren landscapes; and its ability to sequester carbon. Lichen, with the mosses and algae they grow among, all tiny and indomitable, take up as much carbon yearly as is released by the burning of forests worldwide. This amounts to 14 billion tons of carbon, as opposed to the 2.2 billion (and falling) tons absorbed by the Amazon rainforest.

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A tree stump with an entire village of moss and lichen in the Kenai Wildlife Refuge, Alaska

As hardy and amazingly adaptable as lichens are in their natural habitats, they are threatened by several things, especially air pollution, deforestation, and global warming. The first limits healthy growth, the second habitat, and the third will begin to further limit habitat, as lichens sensitive to temperature will have to go to higher and higher altitudes to survive. Those that cannot will die out.

And here is where the larger questions come in. If you ask people whether they would prefer to drive cars to work or save lichens, most people would ask, “What’s lichen?” It wouldn’t be an issue at all. It would seem obvious that we’re more important than a bunch of fungus and algae mashed together and ruining our wooden fence. We’re letting species go extinct every day. Why would a few little lichen matter?

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Tiny pink splotches of the interestingly named fairy barf lichen (Icmadophila ericetorum) in Denali National Park, Alaska

We don’t know why lichen matter. That’s the problem with every extinction. We see the stakes through human eyes. We want to get from place to place in our cars, we love computers, we need homes that are warm in winter and cool in summer. My home is tiny footprint, but I drove it to Alaska and back last year. Would I give up such incredible experiences to preserve the right environment for lichen? A challenging question!

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Brown felt lichen (Peltigera praetextata) with a Cladonia species in Denali National Park, Alaska

We are part of the biome, and we need habitat. There is an infinity of things we can do to reduce our effect on the planet, but even if we do every one of them, humans will still have an outsized footprint. Species will be edged out. Others will hang on, threatened.

We know some of these extinctions will matter. If bees die out, we face a world without fruit, flowers, nuts. If lichen dies out we’ll first lose their ability to sequester carbon, which will be released into an atmosphere already threatened by rising carbon dioxide levels. So temperatures may rise further, endangering more and more species.

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A section of the desert’s biological crust, in Butler Wash near Bluff, Utah

We would also lose a crucial soil producer and stabilizer. It’s hard for us to see, in the brown crusts of the sandy desert, how important a role those tiny, combined elements play in securing nutrients, water, and footing for roots. Hard to imagine the time span taken to break down rock into soil. To us, dirt has always been here, but we’re newcomers on the planet, perhaps even passers-by. The ramifications of such losses spread out like waves. Whatever we do to allow lichen to go extinct might well mean we’ve created a world inhospitable to us.

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Lichen on stone in Butler Wash, near Bluff, Utah

These questions are important, but they are also human-centered, asking of everything how it helps us. Cyanobacteria are 2.5 billion years old, the first photosynthesizers on earth, producers of the oxygen-rich atmosphere that all subsequent biodiversity depends on. The earliest lichen fossils  are 400 million years old.  The earliest human fossil is 2.8 million years old. The forces that created the earth with infinite slowness ticked lichen off the formation list much earlier than humans. Perhaps we’re here to help lichen.

Every form in nature is part of a whole, a web woven together with meticulous evolutionary care. We can only pull so many of those threads out before the fabric begins to weaken. And there may be some combination of threads which, when pulled, will destroy the integrity of the whole. The problem is, we don’t know which ones, leaving us with the great challenge of caring for the entire village on our finite globe.

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Reindeer moss (Cladonia rangiferina) along a trail in Stony Hill, Amagansett, New York

Songlines 2015: north to Alaska

Songlines-2015

Warm colors go west and south, cool colors north and east.

For the first Songlines post last spring, I wrote about how much I love creation stories that not only have the world sung into existence, but also have us continually bringing life to life as we relish our own passing presence. What a great joy it is to be given the task of singing of all that we touch, everything we see, every note we hear, everyone we meet. To celebrate a year of wonderful songs, of so many great adventures on the road to Alaska and back, I thought of choosing my favorite photographs from each place I stopped for any length of time, but I didn’t want to repeat any that I’d used in previous posts. That still left plenty, but, as I looked through my photos from the year, I found myself drawn to those that brought back small, special memories. Not, for this post, the wild transcendence of being at Denali, but rather finding myself at a roadside stop unexpectedly filled with flowers, or taking a hand tram across a rushing gorge, or having dinner with a family of moose. That criteria still made for a quite a list, and I’ve done my best to restrain myself.

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Ratany (Krameria bicolor) Anza Borrego Desert, California

l) I started both this year’s adventures and this website in the Anza Borrego Desert, and though I wrote of how much I loved being there and my joy in walking with its mysterious creatures I didn’t have time to include flowers, which is one of this winter’s tasks. Among the many, I chose ratany because I was enchanted by its tiny beauty, and had never seen it before. The flower is less than an inch in diameter, and grows profusely on a small, silvery, very stick-y shrub. I didn’t find out the name until I got to Arizona, and dragged a ranger out to see one growing outside the information center at Saguaro National Park.

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Feather dalea (Dalea formosa) Dripping Springs, Las Cruces, New Mexico

2) After Saguaro I gave the luminous cactus flowers their due, both in a post and gallery, and then went to Las Cruces, in far southern New Mexico, to visit a friend. On a hike in Dripping Springs Natural Area I discovered a shin-high shrub that appeared to be a haze of silvery gray. On closer inspection, the haze turned out to be thousands of tiny, squirrely, fuzzy seedheads. There were a few magenta flowers remaining, but I was perfectly happy with the state I found it in. Once found I ran into it everywhere, much to my delight.

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Cross Canyon, southwestern Colorado

3) The story behind this picture is an extra happy one. Before I got to Utah, I emailed the Four Corners Native Plant Society to ask about finding wildflowers. I instantly heard back from Al Schneider, who is the FCNPS, as far as I can tell. He was extremely helpful and friendly, and said to call him when I got there and we’d go out wildflower hunting together. Which we did, three times, with other flower lovers, enjoying wonderful hikes and picnics out in the desert. One day I went with Al and Betty, his wife, to Cross Canyon, just over the Utah border in Colorado. We were out of the red rock territory that’s so characteristic of southern Utah, and which can be seen (until I get to the Utah galleries!) in Moses in Utah and A Land of Stone Tablets. While we were hiking and taking photos of wildflowers in Cross Canyon, I looked back from a perch high above the valley floor and saw my truck in isolated and tiny splendor among juniper and sage, sitting on the Dakota Sandstone that makes up that canyon walls and bottom. Al has been cataloging the wildflowers of the Four Corners (of Colorado, Utah, New Mexico, Arizona) for 15 years. His website is a masterpiece.

apache-plume-fallugia-paradoxa-seedheads-Snow-Canyon-state-park-St-George-Utah-by-Betsey-Crawford

Apache plume (Fallugia paradoxa) Snow Canyon State Park, St. George, Utah

4) I love seedheads! As was clear in both the Going to Seed post and the gallery. Who could resist these? I found them in a garden showcasing Utah native plants outside a restaurant (where we had a delicious lunch) on the outskirts of St. George, in southwest Utah.

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David Austin rose in the Manito Park rose garden, Spokane, Washington

5) After Utah I spent a month in Coeur d’Alene, Idaho, where my son, Luke, lives. My posts from there explored the concept of home, contemplated what made wildflowers take over my life, and shared an adventure with Luke and Splash. Since I don’t, at least so far, write about garden flowers, the unbelievably photogenic David Austin roses at Manito Park in nearby Spokane might never see the light of day, so I’m including one here.

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Columbia lily (Lilium columbianum) near Yahk, British Columbia

6) On the way from Coeur d’Alene to Waterton Lakes National Park in Alberta, for the Waterton Wildflower Festival, I pulled into a roadside rest stop for a short walk and soon found myself unexpectedly surrounded — and completely enchanted — by glowing orange lilies. My favorite was this one, delicately folded over a grass stem.

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Tall purple fleabane (Erigeron peregrinus) Waterton Lakes National Park, Alberta

7) This photo of very common, lovely, and exceptionally photogenic fleabane was taken at the Waterton Lakes Wildflower Festival, where I found myself in heaven. It’s in the Waterton Lakes gallery, but I wanted to include it here, because it’s one of my favorite photos of the entire year. It reminds me of a line I love from a Robert Hass poem: The light in summer is very young and wholly unsupervised.

moose-family-Long-Rifle-Lodge-Glacier-View-Alaska-by-Betsey-Crawford

Mother and two babies near Matanuska Glacier

8) I loved Alaska and loved writing about it — how we lost track of time, falling in love with Homer, the amazement of Denali, the beauty of fireweed everywhere, the extraordinary music of The Place Where You Go To Listen. I did a gallery of landscapes, and a gallery of wildflowers. So, it’s been well covered, though there are more! But these three pictures have their own Alaska stories. This mother moose with her two babies showed up to browse behind the restaurant where we ate after visiting the Matanuska Glacier. I convinced George to walk to the edge of the glacier with me, which was a challenge for him, and you can see the slightly dubious look he gave me in the picture below. But he got close, and made it back, with a bit of help on a tricky section from a sweet, hearty young man. After all that we were starving, so we had dinner with the moose family.

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George at the Matanuska Glacier

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Hand tram over Winner Creek, Girdwood, Alaska

9) I gather hand trams were once common in Alaska, since this one advertised itself as a ‘real Alaskan experience.’ It’s the only way to continue on the Lower Winner Creek Trail in Girdwood, which I wanted to take, so over I went. It’s very zippy until you get to the center, where you hang for a moment, swaying, looking down at the rocks and rushing water 15 feet below. Then you have to haul yourself ‘uphill’ to the other side, a longer trip than it looks in the photo. On my way out, I found two 14 year-old boys happily pulling people across, so that part was easy. I was a bit worried about how I’d get back, since it looks like it takes stronger arms than mine. However, I decided it would all work out, and it did. Everyone helps pull everyone else over, with lots of jokes and good humor, which, to me, is another real Alaskan experience.

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Alpine milk vetch (Astragalus alpinus) Seward, Alaska

10) I love this photo because it captures the feeling of lots of ground in Alaska — full of plants, moss, and lichen, spongy to walk on, lush and lovely. However, I’ve never fully identified the flower. I’m hoping, for my sake, it’s alpine milk vetch, but it could be an invasive pest vetch, also purple, and growing abundantly on roadsides. So, until I know, I won’t put it into the Alaska wildflower gallery, but I wanted to include it here.

alpine tundra along the Dempster Highway in the Yukon, including bearberry (arctostaphylos alpina) and lichen by Betsey Crawford

Alpine bearberry (Arctostaphyos alpina) and lichen, Tombstone Territorial Park, Yukon

11) There are words that bring up the mystery and beauty of the north instantly: muskeg, aurora borealis, midnight sun, tundra. This is a bit of tundra, which I was determined to find, easy if you’re willing to drive far enough north. We drove up the Dempster Highway in the Yukon, as far as Tombstone Territorial Park, and found a beautiful world of mountains and tundra. Had we gone on, we would eventually have gotten to the Arctic Ocean, but the next day a big, snowy storm blew in, so it was a relief to be back in Dawson City, where it only rained. I left already envisioning a return trip, when I’d drive up in July for the wildflowers, and back in August for the fall color. Such a short growing season, with lots of dry cold the rest of the year, creates a treeless biome of dwarf plants and lichen. These are barely 2 inches high.

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Sunset over the Spokane River in Coeur d’Alene, Idaho

Back to 5) You can catch fantastic skies everywhere, but Coeur d’Alene, with its unusually beautiful cloud formations, produces them routinely, giving me the perfect visual metaphor as the sun sets on 2015. I wish everyone an adventurous, fun and joyous new year.

Going to seed

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Fireweed (Epilobium angustifolium) about the send off its abundance of seeds.

Some years ago I took a photography workshop at the New York Botanical Garden. At the end of a day spent shooting the vast array of flowers in the perennial gardens, Allen Rokach, our teacher, told us to come back next morning with two favorites to share. Everyone else brought in pictures of flowers at their crispest and dewiest. I brought in a fading iris and the seedheads of giant alliums.

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Giant allium (Allium giganteum) seedheads

Allen was forbearing, even rather fascinated by this choice. It’s not that I don’t love flowers at their freshest. But there is something about the fading flower, the seed heads, the seeds themselves that I am drawn to. This is part of the life of the flower. In fact, this is the point of the flower. While we enjoy the exquisite beauty of form, the softness of petal, colors ranging from the subtlest to the wildest of shades, the whole design is to attract pollinators, get pollinated, and produce the next generation.

Seedheads found at Meadows in the Sky at Revelstoke National Park in British Columbia

Seedheads found at Meadows in the Sky in Revelstoke National Park in British Columbia

So all that beauty isn’t about the joy and refreshment of our eyes. We were 100 million years from the horizon when angiosperms (fruit producing plants) first appeared. It’s likely that we owe our eventually showing up to the benefits their nutritious fruits and seeds brought to the animal kingdom. The goal of floral beauty is to create structures for seeds to develop, and to lure bees, hummingbirds, flies, beetles, bats, butterflies and other pollinators to help with the task.

Color, scent, form, and those inviting, exquisite petals signal that sugar is available. While the nectar, deep in the flower, is sipped, the anthers at the end of the flexible stamens brush pollen on their guest. It’s common in spring and summer to see bees, their legs swollen with yellow fuzz, diving drunkenly into flower after flower, dropping some pollen off, picking up more.

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Western columbine (Aquilegia formosa) in bloom and beginning to form a seedhead

At each flower, the pollen brushes off the carrier onto the stigma, the top of the tiny stalk (the style, barely visible above) nestled in the center of the stamens. The pollen’s DNA information then proceeds to the ovary at the base of the flower. The ovary, often still small when the petals fall, like the columbine above, swells into fruit as the seed matures. Eventually the ripened, swollen fruits begin to dry and split open, emptying their abundance of seeds.

SeedheadsThe abundance can be staggering. That long curve of fluffy seeds in the fireweed at the top of the post is from one flower, on a stalk containing dozens of flowers, among millions of fireweed stalks.

Seeds must then move from pod to receptive ground. In the case of harvesting fruits and seeds for eating, farming or gardening, we have a huge role to play in this, and a minor role, which we share with our dogs and other local fauna, in carrying sticky seeds from place to place on our pants and socks. Other seeds simply fall at the feet of the flower stalk. Not content to wait for creatures to walk by, many seeds are attached to feathery filaments that allow the wind to disperse them.

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Creosote bush (Larrea tridentata) in the Anza Borrego Desert in southern California

All of this can be going on at the same time. The desert creosote above has a fresh flower, with its anthers full of pollen, a fruit at the top, and two stages of open pods: one with the seed filaments just emerging from the dried and split fruit, and one beginning to disseminate its feathery seeds.

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Monkshood bud and seed pod (Aconitum delphinifolium) at the Wynn Nature Center in Homer, Alaska

I like the tossed-aside-lingerie look of fading flowers, but it’s the pods, or seedheads — sculptural, often a bit wacky, with dried-in-place curves and unexpected twists — that I particularly like.  I love the way the designed-for-wind filaments catch the light before they fly off, and the increasing translucency of some pods as they dry.

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Desert chicory (Rafinesquia neomexicana) in the Anza Borrego Desert in southern California

Loving flowers takes a certain existential fortitude. They are a fleeting lot. This is especially true of wildflowers. In a garden, you can create bloom all season, all year in warm climates. You can make space for wildflowers, and even plant them, but you have very little control over what they do and where they go. This is why cultivars — flowers bred for particular traits — are so important to the garden industry. They are tamed wildflowers.

The truly wild ones come and go on their own tens-of-millions-of-years-old schedules. If it’s too dry, too cold, too wet, they may choose dormancy. If all is right, they will grow riotously. If there’s too much competition from invasive plants, they will bide their time, the seeds remaining dormant for years. Once they bloom, they slow or speed up their flowering and fading according to the weather.

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Wild geranium seedhead (Geranium erianthum)

While they’re blooming, I don’t think much about all this. I just want to see them. It’s when they fade and the pods ripen that I remember that they’re not here for me. The seedheads remind me that we are part of their history, not the other way around. We have taken full advantage of this process to grow food, harvest seeds, enjoy gardens. But it’s not a cycle for us. It’s a cycle we fit into. Watching this ancient unfolding roots me in the history of the earth, in the forces that, with slow and infinite care, brought us here, blessed with the ability to see and love beauty.

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Cotton grass (Eriophorum angustifolium)

Moving hearts

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Bow Tie Arch, Moab, Utah

If places were men, Portland, Oregon would be the guy I met at a farmers market. We both like to hike, and read, and travel. He talks about his feelings. He recycles. It’s all very satisfying, but a bit damp. Moab, Utah would be running away with the cowboy who comes to town occasionally, never says a word, looks at me out of the corner of his eyes, and one day shows up with an extra horse so I can ride away with him. Hot, but after a while the dryness would get to you.

If home is where the heart is, then southern Utah is one of my homes. But I don’t see myself living there. Moab, the most likely candidate in practical terms, like a thriving library and access to foods I like, is indeed a cowboy town, dealing with a constant avalanche of people, tons of whom fan out into the wilderness on all-terrain vehicles instead of horses, making Moab the ATV capital of Utah. It’s a lot of hubbub, and there are only two months of the year — cold January and blistering July — when it calms down.

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Silver fleabane (Erigeron argentatus) Snow Canyon, Utah

For most of my life home was a physical place, a building, both shelter and oasis. Now, taking my home with me, and discovering that there are places that are home even if I have never known them, expands the idea, makes it clearer that home is resonance rather than space, however suitable and even wonderful the space is.

Take California and South Dakota, for examples. California is a place of great compatibility for me — incredible beauty, a constant avalanche of fruits and vegetables, acupuncture easier to get than a slice of (artisanal) pizza. I know and love wonderful people there. There are thirty times more wildflowers blooming there than, say, Utah. You can have desert, mountains, meadows, cities, small towns, valleys, vast lakes, ocean, all without leaving the state.

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Fort Pierre National Grasslands, central South Dakota

But I’ve never felt in California the way I felt driving into southeastern Utah for the first time, or the way I felt one hot July day in South Dakota, when I stopped the car on a lonely road along the Native American Scenic Byway and stepped into the prairie, the sun overhead, the sky cobalt, the grasses flowing over my feet, calves, tickling my knees in the constant wind, the heat pressed against my skin, almost dizzy with the sense that this was my place on earth. That the curves of my body were part of those vast rolling hills, with their waving oceans of  green and tan grass, their endless breathing of air.

I doubt I’ll ever choose either Utah or South Dakota as a place to live permanently. But they are home, because my heart was already there, waiting for me. This is a great mystery. Many of us, including me, say casually of these experiences, ‘I must have had another life there.’ We feel that we’re walking into echoes. I have no clear vision of how our energies mix in this universe as they come in and out of the plane we call life. Perhaps we’re part of a universal consciousness, potentially making all histories and stories our own. Though, if so, why do some places, people, situations so reverberate with us, while others don’t at all? Why do I find echoes in the prairie of South Dakota and the desert of southern Utah, but not in the mountains of neighbors Montana and Colorado?

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Fernan Lake, Coeur d’Alene, Idaho

In the past, I had the old saying backwards. I made a home I loved, and put my heart there. Now I see that enduring phrase also acknowledges the heart’s ‘homing’ ability — the resonance that tells us where home is, where our heart belongs. Right now I’m at home in Couer d’Alene, Idaho, because this where my son lives, and so part of my heart is always here.

kalientoI’m privileged to be able to live this mystery, to wander from place to place, finding echoes, surprises, beauty, wildflowers, companions. It’s both mildly antic and quite wonderful to travel through the world towing chairs and forks and my favorite rug, making home wherever I feel like it, wherever I’m drawn.

But I have a lot of company on this journey, whether on wheels or not, because we’re all living in moving homes, as we carry our hearts from place to place.

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Idaho’s camas lily (Camassia quamash)