Tag Archives: wildflower photography

Eostre and the Universe Story

Pacific trillium (Trillium ovatum) in Baltimore Canyon, Larkspur, California by Betsey Crawford

Humans are story-making animals. We have a story for everything, and many, many stories for the same things, depending on where and with whom we found ourselves when we arrived in this life. Our tales explain where we came from, how we got here, why we’re here at all, how to behave now that we are here. As science expands our knowledge of how the universe, and our tiny piece of it, came into being, how our DNA links us, how we migrated out of Africa, we create new stories, layering evidence on metaphor, while still cherishing the old and familiar ones.

Easter connects me to many stories, especially those of my childhood tradition of Catholicism, where the ancient lore of fertility goddesses, ushering in light and renewed growth, became entwined with the story of Jesus of Nazareth, whose last days were embedded in the story of the Passover, which was in turn embedded in the story of how a tribe became a nation, one of thousands of stories about how tribes cohered, and how that made them special in the eyes of their gods.

Western hounds tongue (Cynoglossum grande) taken on King Mountain, Larkspur, California by Betsey Crawford

Western houndstongue (Cynoglossum grande) King Mountain, Larkspur, California. The individual flowers would barely cover your thumbnail.

The Easter stories of death and resurrection, and their ties to the seasonal changes from birth to fruition to death to rebirth, go back to our earliest records: those on the cuneiform tablets of ancient Sumer. Inanna, Queen of the World in the Sumerian pantheon, traveled to the underworld, was stripped of her clothing, tortured, and crucified, while the world above shriveled in response. Though she was rescued in three days, her ordeal was just the beginning of a journey to explore the mysteries of death and rebirth.

The embodiment of the planet Venus, Inanna became the Babylonian Ishtar, and in turn the Canaanite Astarte. Her spirit eventually metamorphosed into the Greek Aphrodite, the Roman Venus, perhaps the Germanic Eostre, who may or may not have presided over the celebration that bears her name. The lineages are not pure and direct; many stories and energies are merged and scattered among them, and traits are bestowed and then changed. Ishtar was also the goddess of war. By Aphrodite’s time that title belonged to Ares, and Hera had become the queen of the Greek pantheon.

Milk maids (Cardamon californica) taken on King Mountain, Larkspur, California by Betsey Crawford

Milk maids (Cardamon californica) King Mountain, Larkspur, California, another tiny, dainty flower

The hints we have of Eostre don’t suggest the mighty energies of Inanna. She is most likely representative of any number of fertility goddesses, bringing with them light and fecundity, heralding the spring avalanche of green growth, renewing the promise of survival. She may be related to Eos, the Greek goddess of the dawn.  The etymology of the word Easter is traced through the Proto-Germanic word for dawn, ‘austron-,’ but is only used in German and English. Most other European languages derive their word for Easter from paschas, or passover.

I love all of this: the layers of meaning, the tellings and retellings of the same basic human tales, the bequeathing of characters from one civilization or culture to another. These interweavings speak of the depths of our connection to other human beings, even those living many thousands of years ago. To me, it doesn’t challenge the Christian beliefs in the teachings of a holy man named Jesus to know that his story was couched in literary structures inherited from venerated traditions. The idea that our great narratives are echoes of more ancient ones isn’t a limitation to me. It’s a sign of the universality of our fears, our longings, our loves.

California hedge nettle (Stachys bullata) taken in Golden Gate National Recreation Area, California by Betsey Crawford

California hedge nettle (Stachys bullata) Golden Gate National Recreation Area, California. The individual flowers are about an inch long.

Our stories provide us with energy and motivation. They place our feet on the ground of our culture. They entertain and explain and nourish. But our love of story also has a long history of darkness. There has been a lot of carnage over whose story is the ‘real’ one, and many stories to justify the mayhem: that one group is chosen and another not, that we can never have enough, that the earth is ours to use up, that my story justifies killing people with a different one. A narrative can burn a forest, enslave a people, destroy a planet. So often it’s only after protracted battles that we wearily sit down and listen to the shared longing under the destruction: I want to be safe. I want to be loved. I’m afraid of my vulnerability. I want the comfort of abundance. I’m afraid of death. I want my life to be meaningful. I want my children to be happy. I want the light to return after a stretch of darkness.

Chocolate lily (Fritillaria affinis) taken on King Mountain, Larkspur, California by Betsey Crawford

Chocolate lily (Fritillaria affinis) King Mountain, Larkspur, California

One of the reasons I am so drawn to Thomas Berry’s work is his call for a new story. His is a way to see the world around us, and including us, not as an accidental cascade of carbon atoms, but as a constantly evolving expression of enormous creative power. We are not the end result, beings perched on a planet put here for our disposal. We are one of many, many manifestations of this continual, billions-year-old generativity, beings emerged from the earth itself. Related by the very elements of our cells to all the other forms that have developed with us. Connected in the most profound way to the living landscapes we walk among.

Blue dicks (Dichelostemma capitatum) taken in Cascade Canyon, Fairfax, California by Betsey Crawford

Blue dicks (Dichelostemma capitatum) Cascade Canyon, Fairfax, California

Though Berry’s universe story is grounded in the advancing science of the history of the cosmos, he saw its connection to many indigenous creation stories, where beings — animal, plant, rock — rise from the soil of their sacred places. Not long ago, we were all indigenous to a place we held sacred, and when I was tiny I lived for a while in a place that rooted me to the earth. But later, hunting Easter eggs in suburban New York in the 1950’s, that deep connection was more elusive. I sensed it in my love of the wind, of the violets growing in the cracks of a rough patch of sidewalk, the smell of our neighbor’s lilacs. I felt it in the tunnel my father cut through a massive tangle of honeysuckle, allowing us a home among the branches and roots. I once sat in awe at a mysterious jack-in-the-pulpit that showed up in the tiny woodland separating our house from our neighbor. These wisps were among the many threads of love and longing that Berry’s message wove together for me, connecting me to a story that places my feet and my heart securely on the planet that created me.

Foothills shooting star (Dodecatheon hendersonii) taken in Golden Gate National Recreation Area, California by Betsey Crawford

Foothills shooting star (Dodecatheon hendersonii) Golden Gate National Recreation Area, California

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Songlines 2017: widening circles

A wild rose, Rosa woodsii, in Coeur d'Alene, Idaho by Betsey Crawford

I live my life in widening circles
that reach out across the world

These words, from Rainer Maria Rilke’s exquisite Book of Hours, are slightly paradoxical because this year we traveled less than any of the other years since we set off on our journey in 2011.  My partner George’s health isn’t up to life on the road at this point, so my songlines this year became widening circles around Greenbrae, California, just north of San Francisco, where there is a whole world to explore. California hosts one of the most diverse native plant populations in the country and is home to snow-capped mountains, oceans, deserts, grasslands, coastal forests. Earlier this year I celebrated this extraordinary mix within easy reach in Wild Abandon: the Mystery and Glory of Plant Diversity. 

Fairy slipper orchid (Calypso bulbosa) on Mount Tamalpais, Mill Valley, California by Betsey Crawford

Fairy slipper orchid (Calypso bulbosa)

Californians also care deeply about saving wild places. Half of the state is preserved land, an extraordinary accomplishment. I marvel at the knowledge of native plants and birds I find when meeting lawyers, nurses, teachers, business people on walks and hikes. In May, I joined a bioblitz for the first time. In fact, it was the first time I’d ever heard the word. I wrote about the fun we had cataloging every living thing within a small area of Mount Tamalpais in Blessed Unrest: the Bioblitz. It’s a celebration not only of our day but of the millions of people around the world who are taking actions, large and small, to save and repair the world.

White-lined sphinx moth (Hyles lineata) Gary Giacomini Open Space Preserve, Woodacre, California by Betsey Crawford

White-lined sphinx moth (Hylea lineata) 

Rilke’s quote comes from one of the highlights of the year: spending three days with the ecological and Buddhist philosopher, Joanna Macy. Her Work that Reconnects helps people to confront their grief at what is happening to the earth, and to renew their commitment to the work they feel called to do. Rilke’s genius has supported her ever since she discovered him when she lived in Germany in her twenties, and her translation of his poetry punctuated our time with her. In The Work that Reconnects: a Weekend with Joanna Macy, I wrote about the extraordinary, moving circle of twenty-eight people, young and old, who gathered to move through Joanna’s spiral of gratitude, grief, and renewal. I found it uplifting, joyous, complicated, loving, inspiring, painful: life distilled into a weekend

California poppy (Eschscholzia californica) El Soprante, California by Betsey Crawford

California poppy (Eschscholzia californica) 

Out of the time with Joanna came other circles. There were several landscape designers there, and one of them, Susan Friedman, had a number of native plant gardens on a tour in early May. So, off I went. I described what I found in Retaining Paradise: Gardening with Native Plants, and wrote about a longtime passion: using our gardens to recreate the bird and animal habitat that built-up neighborhoods inevitably destroy. 

Tall thistle (Cirsium altissimo) and bee, Golden Prairie, Golden City, Missouri by Betsey CrawfordJoanna’s workshop was held at Canticle Farm, an urban farm in the heart of Oakland. While we were there, the bees from the beehive swarmed, as they got ready to leave for a new home. This inspired Susan, who’d been thinking about having a hive, to find a class on beekeeping. It had never occurred to me to do such a thing, but when she asked if I was interested, I instantly wrote back, ‘of course.’ I loved our day with the bees, and chronicled it in Treasuring Bees, Saving the World

Rock tunnel along the road in southern Utah by Betsey CrawfordOur life on earth is tied to the health and life of the bees, which can also be said of many things, including dirt. In The Intimate Bond: Humans and Dirt, I treasure its multi-faceted community and innate intelligence, which made it possible for us to evolve and keeps every living thing on earth going. Dirt is not cheap! Much of the urgent need to take care of the thin layer of soil on our planet lies in the endless time frame it takes to form it. Focusing on Utah, where you can literally drive through the planet’s ancient past, I explored its mysteries and consolations in The Solace of Deep TimeBlack crowned night heron in Corte Madera Marsh, Corte Madera, California by Betsey CrawfordIn Greenbrae, I live near a lagoon that attracts a wonderful, shifting community of shorebirds all year. Around Easter an avalanche of ducklings started, family after family of adorableness so acute I was addicted to that walk for three months. This handsome night heron is part of  A Season of Birds, where I describe my happy visits to the vibrant life there — which included an unusual extended family — and honor the necessity and hard work of preserving and reclaiming such lands. 

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California by Betsey Crawford

Pacific coast iris (Iris douglasiana) 

And, of course, I spent the year celebrating flowers. For a few weeks each spring, California is an iris addict’s paradise. I wrote about my feelings for these bewitching flowers in Elegant, Wild, Mysterious: Loving Iris, and suggested that flowers’ ability to inspire love may help save the planet. I discussed the complications of our gorgeous roses in Passion and Poison: the Thorn in the Rose. In early August I explored one of the most joyful flower families on earth in One Big Happy Family: the Asteraceae, and created a gallery to show their beauty and wide diversity
Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford
Then, later in August, on a trip to New York, I was able to do something I can’t do in California: stand in a sea of goldenrod. Naturally, that called for celebrating the way this extraordinary explosion of luminous yellow connects us to the heart of nature in The Gold Rush: the Joyful Power of Goldenrod. I also visited an early childhood home, set in a magical green world. I wove my memories and my realization about how deeply that time affected the life I’ve lived into A Girl in the Garden of Eden.

For Halloween I thought choosing ghostly white flowers for Happy Halloween: Ghosts in the Landscape would be fun, and it was. To my surprise, the fun turned out to be exploring why we have white flowers at all, and how their chemistry is related to ours. That post, too, inspired a gallery: Luminous Whites.

Bush anemone (Carpenteria californica) white flowered native plants, San Ramon, California by Betsey Crawford

Bush anemone (Carpenteria californica)

The only essay I didn’t write was written by Pope Francis. Laudate Si Repictured is an interweaving of words from his eloquent encyclical on the care of the earth with pictures of our beautiful planet. One of the quotes encapsulates the message I kept finding on my circling songlines this year:

All of us are linked by unseen bonds and together form a kind of universal family, a sublime communion which fills us with a sacred, affectionate and humble respect.

Human and seagull footprints in the dirt in Kenai, AlaskaLoving the place we find ourselves will give us the strength and vitality to preserve it. Damage to the world and its people will be slowed and salvaged by love: for the earth, for our fellow creatures, for its waters and air, for the dirt under our feet, for the wondrously intricate web of all beings of which we are a part.  A profound understanding of our inherence in the natural world– the idea that we are the planet, not on the planet — is a gift we give both the earth and ourselves. 

I wish you all a new year of love, commitment, and beauty.

Celebrating Laudate si: clouds reflected in Dease Lake, British Columbia

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The gold rush: the joyful power of goldenrod

Canada goldenrod (Solidago canadensis) and Joy Pye weed (Euchotrichum maculate) Westport, New York by Betsey CrawfordOne of the blessings of a visit to New York late last summer was seeing something I miss in California: a world awash in goldenrod. A member of the vast and happy Asteraceae family, Solidago canadensis, one of a hundred species of native goldenrods in the US, overflowed fields and banked roadsides near my sister’s house in the Adirondacks. Filled with tiny yellow daisy-like flowers up close, looking like an explosion of yellow fireworks from a near distance, and like a sea of sparkling yellow foam from a greater distance, goldenrod is the late August and September wildflower in most of the country, along with its aster companions.

In her passionately wise and luminous book, Braiding Sweetgrass, botanist Robin Wall Kimmerer tells the story of her first interview with her advisor at the State University of New York’s School of Environmental Science and Forestry. Why, he asked, did she want to study botany. She had her answer ready: she wanted to know why goldenrod and asters look so beautiful together. His answer was crushing. That, he said, was not a valid reason to study botany. Such considerations belonged to art, not science. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

Luckily for us, she was, though daunted, not discouraged, and later found other, more sympathetic teachers and mentors. But for a while, she left the indigenous knowing of her heritage behind while studying science as it was presented in her courses. It wasn’t until she was studying for her Ph.D. in Wisconsin that she found herself at a gathering of native elders who could speak of the depths of plants in ways her botany classes had not: their relationships to other plants, to the places where they grew, to the animals, birds and humans in their midst. The stories of their origins and names. The wisdom they have to share. 

And their beauty. As an artist, I would have happily explained (as artist friends did) that yellow and purple look so beautiful together because they are complementary colors. Each primary color, in this case yellow, has a complement composed of the other two primaries, here red and blue, creating purple. Complementary colors have a powerful synergy, both making the other zing, creating a combination more electric than, for example, pink and purple. However lovely the latter combination, it will always be less exciting to our brains than pairing purple and yellow, or orange and blue, or red and green. These are not the combinations you’d think of for a meditation garden. But if you want to look at a field of scintillating color, or add excitement to your garden, your painting or your wardrobe, interweaving complements is a surefire way to do it.

Pasture thistle (Cirsium discolor) and Canada goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Pasture thistle (Cirsium discolor) and Canada goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin

Other than red flowers against green leaves, nature hasn’t gone out of her way to combine complementary colors. And red flowers are relatively rare, orange even rarer, and true blue almost nonexistent. Purple is fairly common, and yellow abundant. All are dwarfed by the numbers of white flowers, which offer no opportunity for complementary drama. So it’s especially striking when nature has not only combined complements but thrown them about with as much abandon as she has goldenrod and asters. Robin Wall Kimmerer was talking specifically about New England asters, with their deep purple petals and deeper-than-goldenrod yellow centers. The stronger the purple, the more scintillating the combination, though with the many lighter asters, and with the pink-purple thistle shown here, the combination is still electric. 

New England asters (Symphyotrichum novae angliae) courtesy of the Ohio Department of Natural Resources

New England asters (Symphyotrichum novae angliae) courtesy of the Ohio Department of Natural Resources

But I agree with her about goldenrod and New England asters: their combined gorgeousness is a perfectly good reason to want to study botany. And while it may be true that aesthetics are not the province of science, there’s fascinating science connected to beauty, starting with the exquisitely sensitive cones nestled in our retinas. Millions of neurons, waiting to encode for our brains the light waves bouncing off the world around us. Two-thirds of our cones are dedicated to the longer wavelengths of the warmer colors — like the yellows of goldenrod. Another third is devoted to the seeing their green leaves. Only 2% of our cones are reading the purple aster petals, which reflect back the shortest wavelengths of light. 

Late purple aster (Symphyotrichum patens) and Canada goldenrod (Solidago canadensis) along the road in northern New York by Betsey Crawford

Late purple aster (Symphyotrichum patens) and Canada goldenrod (Solidago canadensis) along the road in northern New York

Why yellow and purple? Carotenoids in the goldenrod and aster centers, and anthocyanins in the aster petals. Chemicals that reflect those colors back to us, and, among other things, protect the flowers from too much of the ultraviolet light we can’t see, and that burns both our skin and the petals’. To bees, who can see in the ultraviolet spectrum,  goldenrod’s yellow is even more incandescent than it is to us. But they hardly need the pizazz. There are so many solidagos, with so many individual flowers per plant, in so many places that they can’t be missed. Bees abound in those fields, picking up the sticky, heavy pollen and bringing it back to the hive to make bee bread for the winter.

I think it’s the sheer exuberance of the solidago phenomenon that I love so much. This is nature at her most joyful, maybe even her whackiest. Why not throw millions of luminous yellow flowers out there as most other flowers fade? Throw in some purple for dazzle! Turn the neighboring leaves vivid red and orange! Provide winter food for thousands of tiny creatures who return the favor by pollinating the flowers. Create larger creatures to stand in the fields, with carefully crafted eyes connected to brains capable of awe. Fill them with wonder at what has been wrought. Those wildly yellow early autumn fields are a sign of a creation that can’t be stopped. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

I take a lot of comfort in this vast energy. Although such fields are plowed and bulldozed daily for grazing or agriculture, houses or parking lots, this sheer vibrancy tells me nature is far from fragile in the face of her heedless humans. Another essay in Braiding Sweetgrass details the destruction of Lake Onondaga, sacred to the Onondaga people of upstate New York. After more than a century of pumping industrial waste up to sixty feet deep into and around the lake, along with the sewage of the growing city of Syracuse, it’s now a Superfund site. In fact, nine Superfund sites. Long gone are the wetlands, the trees, the oxygen-generating plants, the moss, the birds, the frogs, the once crystal clear water.

The same story can be told of countless places. The details vary, the heartbreak is painfully similar. There is a lot of restoration going on, even if grudgingly on the part of the corporations and governments that caused the destruction. People the world over are pulling beloved, damaged places back from the brink. The same is happening with Lake Onondaga. There are attempts, some good, some bad, to restore a semblance of natural life to this dead landscape. Of the ones described in the essay, my favorite is the work being done by nature herself, who sent the ‘oldest and most effective of land healers…the plants themselves.’

Seeds of trees took root in the white, gluey sludge and slowly grew. Birds landed in their branches and dropped the seeds of berrying shrubs. Clovers and other legumes, among the most important of our plant allies, arrived and began pulling nitrogen into the muck. The endlessly adaptable grass family moved in. Their roots add humus, and the first glimmering of soil making can be seen. 

It’s a slow process of enormous strength, and one we can trust. That’s where I take comfort. Of course, we should be doing everything in our power to stop the destruction and repair the damage. Nature should be able to rely on us, too. But as she asks, she also inspires.  When we need courage, and ardor, and zeal for this work, she invites us to stoke those fires by standing in the midst of a sea of goldenrod as it pulses with energy, radiating her vibrant, enduring, indomitable heart. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

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Happy Halloween: ghosts in the landscape

Cotton grass (Eriophorum angustifolium) Single delight (Moneses uniflora) Wynn Nature Center, Homer, Alaska by Betsey Crawford

Cotton grass (Eriophorum angustifolium) Single delight (Moneses uniflora) Wynn Nature Center, Homer, Alaska

When I first thought of the title for this Halloween post, I had fun in mind — white flowers that have ghostly or skeletal effects — and there are those, like the cotton grass above and the trillium and others below. But the more I thought about white flowers, the more questions I had. How did they become white? Is it a loss of pigment or a color of its own? Why are there so many of them? Depending on the region, they can far outnumber flowers in the blue to red to orange range, and outstrip the numerous species of yellow flowers. Studies show that pollinators, given a choice, will gravitate to colors. So what’s the evolutionary advantage of white? Is there one? It turns out that white flowers are full of mystery. Which is, indeed, fun.

White flowers: Pacific trillium (Trillium ovatum) Blithedale Canyon, California by Betsey Crawford

The very ghostly newborn petals of Pacific trillium (Trillium ovatum) Blithedale Canyon, California

The earliest angiosperms, more than 100 million years ago, are thought to have been white, cream or pale green. Since Darwin, people — including me — have been happily saying that the more vivid colors slowly evolved to attract pollinators, whose vision long predated the flowers. And that appears to be true. Or, at least, there’s no strong body of evidence saying it’s not true. But, as it turns out, there’s no strong body of empirical evidence saying it is true. Empirical evidence implies that we can see something happen in real time, and it’s hard to see an evolutionary process in our brief lifespan. 

White flowers: Ghost flower (Mohavea confertiflora) Anza Borrego Desert, California by Betsey Crawford

This one is actually called ghost flower (Mohavea confertiflora) Anza Borrego Desert, California

There are studies that show, for example, flowers becoming redder in as little as a single generation as more hummingbirds pollinate them. Further studies show that when given choices, pollinators will choose colors over white flowers, though that may be because the colorful ones stand out more vividly against green foliage. Finding flowers efficiently is crucial to the success of both flower and pollinator, so the easier the flower is to see, the better. Very important, the stronger the relationship a pollinator has with a specific color, the more likely it is to bring matching pollen from one flower to fertilize another in the same species.

White flowers: Sitka burnet (Sanguisorba stipulata) Wynn Nature Center, Homer, Alaska by Betsey Crawford

Sitka burnet (Sanguisorba stipulata) Wynn Nature Center, Homer, Alaska

So, we know that pollinators have an intimate relationship with flower color. Or, more accurately, with the color’s wavelength, since the purple we see is not what the pollinator sees. But, with the explosion of genetic information in recent years, there’s also a growing appreciation for other factors that are at play, especially in how white flowers have evolved. Flowers in the blue to purple to red range use anthocyanins to create their color, the chemicals that make foods like grapes and raspberries so good for us. If the dominant anthocyanin is delphinidin, the flower is purple, if pelargonidin, red, if cyanidin, magenta to lavender. Other flavonoids, such as anthoxanthins, along with a variety of carotenoids, create yellows and oranges. 

White flowers: Single delight (Moneses uniflora) Wynn Nature Center, Homer, Alaska by Betsey Crawford

Single delight (Moneses uniflora) Wynn Nature Center, Homer, Alaska

In the course of mutations that alter the expression of specific enzyme and protein pathways, the amounts of these color-inducing chemicals can vary, changing the color of the flower. Mutations may also cause the pathways to stop working altogether. The resulting loss of function can return the flower to its primordial white, a state that’s likely to be irreversible since it would take a series of very specific mutations for those particular pathways to work again. 

White flowers: Sand lily (Mentzelia nuda) Smoky Valley Ranch, Oakley, Kansas by Betsey Crawford

Sand lily (Mentzelia nuda) Smoky Valley Ranch, Oakley, Kansas

There is a widely accepted division of flower/pollinator relationships: bees prefer flowers in the blue range, while hummingbirds gravitate to red, butterflies to pink, moths and beetles to white. And studies do back up these general preferences. But there’s a lot of variation. If bees weren’t interested in pollinating white flowers, we wouldn’t have almonds, apples, plums or any number of other fruits in the Rosaceae family. Thus, other factors are apparently important, among them scent, availability, abundance, learned behavior, competition, as well as the match of plant shapes to pollinator characteristics. It also may be that the subtle pinks that make white apple blossoms so poignantly beautiful to us are neon signs to bees. More mysteries. As every study says, ‘more research is needed.’

White flowers: Fried egg plant (Romneya trichocalyx) San Ramon, California by Betsey Crawford

Fried egg plant (Romneya trichocalyx) San Ramon, California

As fascinating as I find all this, I’m somewhat resistant to the idea that the gorgeous hues of reds, purples and lavenders I love so much are a result of ‘the number of hydroxyl groups attached to the B-ring of the molecule,’ or that tender, luminous whites are due to the functional failure of these groups. Reducing something as magical as color to the action or loss of enzyme and protein pathways seems like a comedown. On the other hand, my seeing and treasuring these colors is possible only because my body relies on similar pathways. Which brings another mysterious dimension forward: the fact that flowers and I share biological functions and genes, and, in sharing them, share each other.

White flowers: white thistle (Cirsium hookerianum) Waterton National Park, Alberta by Betsey Crawford

White thistle (Cirsium hookerianum) Waterton National Park, Alberta

Not only that, but without a strong connection to a variety of pollinating animals and insects, and the biology and genetics we have in common with them, neither flowers nor I would be here to begin with. All those pathways need constant nourishment. Like me, the pollinators depend on flowers for nutrition and survival. Flowers depend on these friendly forces, which can include me, for reproduction. We all depend on a huge array of microbes and fungi to create the nutrients we thrive on from the soil at our feet. We depend on the movements of air currents, the hydrology of water, the minerals released from rocks. 

Sitting among flowers on a forest path, or the desert floor, or out in a meadow, we’re held in a vast array of interlinking pathways, beating our hearts, feeding our cells; moving water, air, nutrients; creating color, vision, scent. All mysteriously designed to keep every one of us — flower, leaf, dirt, human, bee, bird, beetle — alive and blossoming. 

White flowers: White paintbrush (Castilleja occidentalis) Waterton National Park, Alberta by Betsey Crawford

White paintbrush (Castilleja occidentalis) Waterton National Park, Alberta

More beautiful white flowers can be found in the gallery Luminous Whites.

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One big, happy family: the Asteraceae

A sunflower (Helianthus annuus), a memeber of the Asteracea family, In Cape Breton, Nova Scotia, Canada by Betsey CrawfordI took the picture above six years ago this month, standing in a field of sunflowers on Cape Breton Island on the east coast of Canada. It was the first place we went when we started the journey that has taken us to so many wonderful places. I’ve never forgotten the joy of standing in that field, completely surrounded by the happiest of flowers, growing with wild abandon toward the August sun.

With almost 24,00o species, the Asteraceae family is vast and exuberant. It’s literally everywhere you go, except Antarctica. The accompanying photos range from Alaska to the Anza Borrego Desert in southern California. They reflect one of the family’s strengths: the ability to thrive in many different environments, whether hot or cold, dry grassland or wet marsh, in alpine meadows or among desert cactus. Some are important commercially: sunflower, safflower and canola oils. Camomile and echinacea tea. Artichokes, lettuce, tarragon, radicchio, endive. One shrub even produces a form of latex. The horticultural market depends on many of them.

Mule ears (Wyethia anguvstifolia) taken along Chimney Rock trail in Point Reyes National Seashore, California by Betsey Crawford

Mule ears (Wyethia anguvstifolia) Point Reyes National Seashore, California

The most familiar asteraceae configuration is the sunflower and its relatives: a central circle of disk florets, surrounded by a crown of ray florets that look like and act like petals, attracting insects to pollinate themselves as well as the less showy disk flowers. The family name comes from these composite forms: aster derives from the Latin word for star. But there are a variety of other structures. Some, like the thistle and the arnica below, are discoid, with disk but no ray flowers. Others, like the dandelion, are ligulate, with no disk flowers and ‘petals’ of strappy ligules. 

Rayless arnica (Arnica disoidea) Blithedale Canyon, Larkspur, California by Betsey Crawford

Rayless arnica (Arnica disoidea) Blithedale Canyon, Larkspur, California

As a group, they tend to develop a fluffy seed head, a pappus of filaments that originally surround the base of the ovary, and grow longer as the flower goes to seed. With their feathery attachments, seeds are easily dispersed by wind, which helps account for the ubiquity of yarrow, fleabanes, dandelions, asters and other family members. Some seeds have hooks on them and spread out by attaching themselves to animal fur or clothing. 

Siberian aster (Aster sibericus) Denali National Park, Alaska by Betsey Crawford

Siberian aster (Aster sibericus) Denali National Park, Alaska

What looks like an individual flower is an inflorescence, a bowl-, vase- or cone-shaped capitulum, holding its lovely arrangement of hundreds of ray and disk florets. The capitulum is held by green bracts, or phyllaries, sometimes many layers of them, constituting an involucre. When you eat the bud of an artichoke flower, you peel off, dip in melted butter, and then eat one phyllary after another, until you get to the heart, which is the capitulum containing the disk flowers. The phyllaries can be plain or beautifully sculptural. Their differences, in number, shape and position, are often a key to identifying close species. 

Analysis of fossil pollen found in Antarctica dates the Asteraceae to 80 million years ago, when the continent was still part of Gondwana, before it floated south to the icy pole. Species were lost during the K-T extinction, which killed the dinosaurs around 66 million years ago. But those that survived thrived and multiplied during the great flowering of the warm Late Paleocene and Early Eocene epochs, as did every other plant family. The asteraceae in turn benefitted their pollinating insects, and were especially important to the evolution of bee species.

Tall purple fleabane (Erigeron peregrinus) with two butterflies Waterton Lakes National Park, Alberta, Canada by Betsey Crawford

Tall purple fleabane (Erigeron peregrinus) and friends, Waterton Lakes National Park, Alberta, Canada

They are a pollinator’s dream: one landing, up to 1,000 flowers. The sunflower, our biggest and most dramatic North American native asteraceae, dedicates a most intriguing and charming trait to bees and other pollinators. It starts with buds and young flower heads, still covered with their green, photosynthesizing bracts, following the sun over the course of the day. At night, they work their way back toward sunrise, moving faster near the solstice, and more slowly as the nights grow longer.

 

Brittlebush (Encelia farinosa) Anza Borrego Desert, California by Betsey Crawford

Brittlebush (Encelia farinosa) Anza Borrego Desert, California

This cirdadian heliotropism is driven by growth hormones that spur growth on the east side of the stem during the day, lengthening that side, and tilting the flower head toward the west. At night, another hormone spurs growth on the west side, moving the flower to face east by morning. In experiments that interfere with this sun tracking, plants quickly lose mass and leaf surface, cutting down on photosynthesis and thus vitality and size.

Their sungazing stops at maturity. The ‘clock genes’ turn off, leaving entire fields of sunflower heads facing east. That way they are warmed early in the day, making them five times more likely to be visited by pollinators than experimental plants arranged to face west.  And there are lots of pollinators: bees, butterflies, moths, flies, wasps, wind, and, in South America, birds. With their warm, open faces offering almost unlimited opportunity for fertilizing, reproduction becomes very efficient, which explains the diversity and worldwide habitat of the family.

Pasture thistle (Cirsium discolor) in a late summer sea of goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Pasture thistle (Cirsium discolor) in a late summer sea of goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin

Standing in a field of sunflowers, or prairies of thistles, coneflowers and goldenrods,  I am not only surrounded by the sheer exuberance of vividly colored, beautifully shaped flowers, with their attendant bees and butterflies. I am surrounded by a long history of carefully ‘chosen’ evolutionary changes that remain mysterious despite all the genetic information we can now gather about plants. Why so many yellows? And why pink, or white? Why feathery leaves on one family member, big chunky leaves on another? Why is this one so tiny, and this one gigantic? Why a cone on one, a bowl on another? This heavenly exuberance of form and color is a delightful mystery.

Prairie coneflower (Rudbeckia nitida) Konza Prairie Preserve, Manhattan, Kansas by Betsey Crawford

Prairie coneflower (Rudbeckia nitida) Konza Prairie Preserve, Manhattan, Kansas

In that sunlit field I’m also surrounded by a form of life — the flowering angiosperms with their nutritious fruits — that may well be responsible for me, a member of a much later species, being able to stand there at all. That nourishment helped my forebears to develop the eyes and consciousness to celebrate the wonder around me. That may even be the point of evolving me at all: a way for the universe to contemplate its glories.

Prairie blazing star (Liatris pycnostachya) Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Prairie blazing star (Liatris pycnostachya) Curtis Prairie, Madison, Wisconsin

Relishing the sunny warmth of a summer day, drinking in the beauty and vitality of the flowers around me, grateful for our shared history and destiny — these are moments of transcendence that make life rich and fulfilling. Our beautiful world makes them so available, but we too often rush by. Even when we stop, we feel we must quickly return to the practical tasks that make life possible. But our world is always there, waiting to be treasured. Waiting for the eyes and ears it has gifted us with to turn toward these great and beautiful mysteries. “Life is this simple,’ theologian Thomas Merton wrote. “We are living in a world that is absolutely transparent and the divine is shining through all the time.”

Blanket flower (Gaillardia aristata) in Coeur d'Alene, Idaho by Betsey Crawford

Blanket flower (Gaillardia aristata) in Coeur d’Alene, Idaho

More pictures of this exuberant family can be found in the Asteraceae Gallery.

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Treasuring bees, saving the world

Bees love tall thistle (Cirsium altissimo) shown with a bee, Golden Prairie, Golden City, Missouri by Betsey Crawford

Tall thistle (Cirsium altissimum) Golden Prairie, Golden City, Missouri

The invitation came from Susan Friedman, whom I met on the weekend with Joanna Macy, and whose native plant gardens were part of Retaining Paradise. The Work that Reconnects workshop was held at Canticle Farm, an urban farm in Oakland, a more or less rectangular open space created by combining the yards and gardens behind a collection of houses. During the weekend the bees swarmed, meaning that the queen, responding to pressures in the hive, led a large number of her subjects out to form a new one. For an afternoon, thousands of bees hung in a mass on a sturdy tree branch, while scouts went looking for new sites. In the meantime, a beekeeper on someone’s speed dial was called to put the swarm into a new hive box and take it to another farm. 

This extraordinary event led Susan, already thinking about having a hive on her property, to find a class on beekeeping. Though it had never occurred to me to do such a thing, when she asked me if I was interested I immediately wrote back, ‘Of course.’ So there we were, on a hot June Saturday, in a demonstration garden a couple of blocks from San Francisco’s City Hall. Our teacher, Mark, was an utterly engaging bee geek, who punctuated his opening talk with continual delight at the intricate, fascinating life of the bees he is clearly passionate about. 

Bees love prickly poppy (Argemone polyanthemos) Konza Prairie Biological Station, Flint Hills, Kansas by Betsey Crawford

Prickly poppy (Argemone polyanthemos) Konza Prairie Biological Station, Flint Hills, Kansas

Though I had no expectations about my fellow students beforehand, I was surprised at how young everyone else was, starting with Mark. We were a small group, but still, the idea that there are six young, urban professionals interested in spending a golden summer day learning about keeping bees was very heartening. Because keeping bees is, in it’s broadest sense, keeping the world. 

Bees were here with the dinosaurs. The relationship between bees and flowers is 130 million years old. Starting in the paleolithic era, cave drawings all over the world include scenes of figures climbing ladders to get honey, buzzed by a swarm of bees. People have written about their fascination with bees and the joys of honey ever since the alphabet was invented. But they may not survive the world we have created. And we may not survive without them. 

Bees love camas (Camassia quamash) Tubbs Hill, Coeur d'Alene, Idaho by Betsey Crawford

Camas (Camassia quamash) Tubbs Hill, Coeur d’Alene, Idaho

Mark took us through the basics of hive life: the development of the queen and her prodigious task of laying up to 2000 eggs a day. The myriad, unceasing tasks of the female workers who do all the work of the hive. They tend the queen, feed the young, forage for and store nectar and pollen, make honey, create wax, clean house, vibrate their wing muscles to regulate temperature. All lives are brief: queens can live for five years, though are considered productive for three. Workers live about a month and a half. The far fewer male drones, whose only job in life is to fertilize queens from other hives, die in this task or by being ejected from the hive at the end of the summer. So, to keep the hive going, new life needs to be constantly fostered.

Their work ethic is prodigious. One pound of honey means that 10,000 bees have flown 75,000 miles in short segments, visiting up to 8 million flowers. A good forager will have brought back a total of 1/4 teaspoon of nectar in the course of her life. She’ll also bring water, and pollen collected on her bristly hairs or in pouches on her legs. As she flies from flower to flower in search of nectar, she leaves some of her pollen load on the next flower she visits, and picks up more, performing the crucial task of pollination as she goes.

Beehive frame with honey, covered by beeswax, in the upper right. In the lower right are cups with white larva, and capped cups that house the pupae. You can see the glint of light on the cups holding nectar, on its way to becoming honey. The larger cups at the bottom right are for drones. Photo by Betsey Crawford

Bees on a beehive frame with honey, covered by beeswax, in the upper right. In the lower leftt are cups with white larva, and capped cups that house the pupae, from which will emerge adult bees. At the top center, you can see the glint of light on the cups holding nectar, on its way to becoming honey. The larger cups along the left hand frame are for drones.

The highlight of the class was donning bee suits and opening the hives. Bee boxes with portable wooden frames of comb long ago replaced the round, impenetrable beehives that meant bees had to be killed to harvest honey. We pulled out the hanging frames and watched the bees at work. Mark suggested dipping the end of a twig in the honey and holding it to the bees’ heads. The tiniest imaginable red tongues zipped out to lick it off. He showed us the queen, which he had marked with a green dot.

All this time the bees were very calm. We were well covered, though I was soon unconcernedly pulling my gloves on and off to take pictures. But after a while the bees began to buzz and fly more dramatically, the result of getting too warm on that hot day, and anxious about the well-being of their tribe. So we closed the boxes again.

Bees love wild geranium (Geranium erianthum) Wynn Nature Center, Homer, Alaska by Betsey Crawford

Wild geranium (Geranium erianthum) Wynn Nature Center, Homer, Alaska

Our class was not about native bees. Beekeeping is devoted to the imported European honey bee, Apis mellifera, whose communal lifestyle and behavior make it a mobile pollinating force for agriculture, and a prolific source of honey. But all bee populations are excellent pollinators, some native ones far more so than the honey bee. All are losing ground dramatically. In the last 120 years, we’ve lost half of our native bee species. There is no one cause, and the problem, though far more acute now, was first noted in 1860. 

Even then, loss of habitat to growing urbanization and industrialization, along with widespread clearing for agriculture, were among the culprits. Since World War II, intensive farming has done away with the old hedgerows between fields, full of varieties of wildflowers and brambles. Vast fields of wind-pollinated grains have no flowers for bees to forage. Vegetable farmers largely harvest crops like lettuce and radishes before they flower and go to seed. That leaves fruit and nut trees, and vegetables that develop from the ovaries of flowers, like squash.

Bees love western wood lily (Lilium philadelphicum) Waterton Lakes National Park, Alberta, Canada by Betsey Crawford

Western wood lily (Lilium philadelphicum) Waterton Lakes National Park, Alberta, Canada

But even in places where such crops are abundant, as in the Central Valley of California, bees are rapidly losing ground. When they don’t kill the bees directly, pesticides, especially the neonicotinoids introduced in the 1990s, damage their nervous systems, impairing their ability to navigate and forage, thus weakening the whole hive. Any loss of vitality leaves bees prey to mites and fungi that can devastate the colony.

Monoculture is another issue. The almond groves in the Central Valley bloom for three weeks. Before and after, if there are no native hedgerows, and no flowering ground covers, there’s nothing to keep the mostly non-colony-forming native bees in place. The honey beekeepers load their hives onto trucks and move them to the next crop, a potentially stressful lifestyle that may also be impacting those bees.

Bees love red monkey flower (Mimulus lewisii) Waterton Lakes National Park, Alberta, Canada by Betsey Crawford

Red monkey flower (Mimulus lewisii) Waterton Lakes National Park, Alberta, Canada

What would life without bees be like? From a human perspective, we would lose most flowers, most fruits, vegetables, nuts, coffee, tea. Our diet would consist largely of grains and meat from animals that eat those grains. Without clover and alfalfa, the dairy industry would falter, and beef prices would skyrocket. We would have lettuce for salad while the seed supply lasts, but no cucumbers or tomatoes, and no oil or vinegar. No jam or jelly, no strawberry shortcake in June, no pumpkin pie at Thanksgiving. No lemonade or orange juice. Our most nutritious vegetables — like broccoli, carrots, onions, kale — would be gone.

Cotton clothing would disappear. Our gardens would be green. No more fields of wildflowers. The 20% of flowers pollinated by butterflies, beetles, and hummingbirds would still exist, but butterflies are also disappearing. All ecosystems would eventually diminish as bee-pollinated plants died off in alpine meadows, grasslands, forests, wetlands, deserts. The ability of these systems to regenerate soil, filter water and clean the air would be impaired, endangering more and more plants. Eventually, all living things could be under threat.

Bees love smooth aster (Aster laevis) taken at a rest stop planted with native plants in Wisconsin by Betsey Crawford

Smooth aster (Aster laevis) at a rest stop planted with native plants in Wisconsin

Thus the loss of bees is far more than a human problem. Because of the threat to agriculture, farmers and scientists the world over have been working to figure out why we’re losing bees and what to do about it. But though the solutions are challenging, and the sudden collapse of colonies devastating, it isn’t hard to figure out why bees are struggling. We’ve produced a planet that is inhospitable to them. And, as I wrote when contemplating the loss of lichen to climate change, a world that’s inhospitable to our fellow inhabitants may soon be inhospitable to us. 

Instead of trying to harness the bee to our needs, we would do better catering to theirs. If we create a world where they can flourish, chances are far better that we will, too. Among the answers: organic farming and gardening. Bee friendly hedgerows dividing farm fields and native flowering groundcovers among crops. Regenerative agriculture. Sustainable development. Preservation and restoration of habitat. Gardening with natives — the plants native bees evolved with — like the bee-loved flowers accompanying this post. This is the quilting together of restored habitat I wrote about in Retaining Paradise

Bees love strawberry hedgehog cactus (Echinocereus fendleri) Cross Canyon, southwest Colorado by Betsey Crawford

Strawberry hedgehog cactus (Echinocereus fendleri) Cross Canyon, southwest Colorado. There is a bee dedicated to pollinating cactus flowers.

In the end, it all depends on how we think about these things. We can choose to look at the world from a bee’s point of view, or a forest’s, or a river’s. Or from the perspective of an intact ecosystem. By and large, our culture and economy don’t support this way of seeing. We contemplate a meadow that took 4.5 billion years to evolve and see it as a potential shopping mall. We see driveways and houses and swimming pools. As understandable as this view might be, given our culture, and to some extent our needs, it’s destroying the world we depend on.

Without bees, flowers may never have evolved. Without flowers, and their nutritious fruits, we may never have evolved. We share over a third of our genes with bees. Our connections with our fellow beings, as with the planet we all arose from, are profound. What if instead of seeing bees as merely useful, or fascinating, or in the way, we could see them as kin? With such a shift in vision, gardening, farming, and habitat restoration become ways to foster the vitality of our cousins as well as ourselves. We become a vast extended family — flowers, fruits, bees, soil, water, humans — weaving the fabric of life together.

Bees love blue wild iris (Iris missouriensis) taken in Monticello, Utah by Betsey Crawford

Wild iris (Iris missouriensis) in Monticello, Utah

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Retaining paradise: gardening with native plants

Bush anemone (Carpenteria californica) white flowered native plants, San Ramon, California by Betsey Crawford

Bush anemone (Carpenteria californica) San Ramon, California

As a landscape designer, I specialized in native plants. When I first started my business in the 1980s, the workers at a local wholesale nursery called me ‘the weed lady.’ I was always asking for plants that everyone else was pulling out. Even clients attracted by my natural landscaping approach would propose that first ‘we get rid of all these weeds.’ I would gently point out that those were the plants that made the landscape natural. I gave lots of lectures about native plants, back in slide-show days, with pictures of the glories all around us. Why, I would ask, live in a house in an area of distinct beauty, and then make it look like everywhere else? By the time I retired, attitudes had shifted enough that local nurseries were competing with each other for the largest stock of indigenous plants, and several were growing them from local seed. 

California poppy (Eschscholzia californica) orange native plants, El Soprante, California by Betsey Crawford

California poppy (Eschscholzia californica) El Soprante, California

With a few exceptions, I didn’t use natives exclusively. In southern New York, at the far eastern end of Long Island, there were too few native perennials to create lush, all-summer-bloom gardens. And the browsing hordes of deer meant that unfenced gardens needed deer-resistant plants, which were not necessarily native. My own property bordered on a preserve, so I had my fill of the beauties of native Long Island: switchgrass, little bluestem, bayberry, blueberry, shad, cedar, wild roses. Before the deer decided to include them on their menu, the early summer meadow was dotted with butterfly weed, and the fall meadow would be filled with goldenrod and asters.

Bush poppy (Dendromecon rigidus) yellow flowered native plants in San Ramon, California by Betsey Crawford

Bush poppy (Dendromecon rigidus) San Ramon, California

But near the house, where I wanted a summer full of scent and color, I stayed with the aromatic Mediterranean plants that deer don’t like: sages, lavender, catmint. I mixed these with grasses and deer resistant shrubs. This was an approach that worked with any open, sunny, deer-prone property. But even without deer, people understandably want to be able to enjoy the beauty of a blooming summer. On Long Island that meant non-natives in garden beds. So I looked for plants that behaved like natives: didn’t need lots of water during the heat waves, could cope with wet feet in the winter, and didn’t need to be sprayed for bugs. Most importantly, for the sake of the nitrate-susceptible waters surrounding us and the aquifer below, plants that weren’t dependent on fertilizer. 

California wild rose (Rosa California) pink flowered native plants in Novato, California by Betsey Crawford

California wild rose (Rosa California) Novato, California

It’s in the larger plants that Long Island natives excel, and I planted a lot of native shrubs. Loathing the ubiquitous walls of privet hedge that close off the landscape, I loved to create thickets of native trees and shrubs that would bloom in spring, produce bird-enticing berries all summer, and beautiful leaf color in the fall. Planted thickly enough, this approach produces plenty of privacy. Even better, whether on the property or passing by it, you were looking at Long Island, and not any prosperous suburb anywhere in the country.

During my wonderful weekend with Joanna Macy in early April, I was one of several people in the landscaping business. Susan Friedman, a landscape architect, told me that four of her native plant gardens were on a garden tour on May 7. So, off I went to see the California approach, on that tour and another the following week.

Fern leaf phacelia (Phacelia tancetifolia), purple flowered native plants in Novato, California by Betsey Crawford

Fern leaf phacelia (Phacelia tancetifolia), Novato, California

California has far more native perennials and grasses than New York, so it’s easier to create entirely native gardens. The biggest issue, once the winter rains are finished, is water. Natives are ideally suited for the dry months, since that’s exactly what they evolved to cope with. None of Susan’s clients wanted thirsty lawns, so stonework became an important part of the design: paths, a patio area around a pool, striking boulders set among the plants. Dry stream beds thread through the gardens. They are not only natural design elements — the California coastal hills are very rocky — but act as catch basins, absorbing runoff from winter downpours. This keeps water in the ground longer, protects the soil, and prevents downhill streams from erosive flooding. Among the rocks were the glorious, thriving plants, echoing the hills beyond.

Purple sage (salvia leucophylla) with monkey flower (Diplacus aurantiacus 'Butter Yellow') yellow-flowering native plants, in Novato, California by Betsey Crawford

Purple sage (salvia leucophylla) with monkey flower (Diplacus aurantiacus “Butter Yellow’) in Novato, California

Why plant natives? In a neighborhood stripped of its natural vegetation and already filled with the artificial environment of buildings and roads, does it really matter what we put in our gardens? As long as we forgo plants that require poisons or scarce water to survive, and choose among the vast array that can be grown organically, what harm are we doing by enjoying plants that are native to Japan, or the Mediterranean, or Eurasia? In many cases, there is no harm, if that’s our criteria. I loved my blue-flowered, fragrant Mediterranean plants, which made bees very happy and were perfectly content to prosper with little water and a yearly dose of compost. I welcome daffodils and tulips in the spring. I’m delighted to catch the scent of luscious peonies in flowery cottage gardens, behind fences covered with hardy roses.

Hummingbird sage (Salvia spacathea), pink-flowering native plants in El Sobrante, California by Betsey Crawford

Hummingbird sage (Salvia spacathea) El Sobrante, California

But there is a serious danger, and it’s often too late once the harm is discovered. Purple loosestrife was a popular garden plant, a Eurasian import introduced in the 1800s. It took generations before it was obvious that it was a rampant pest, choking lakes and river banks, and destroying marshes in so many places that it’s banned in over thirty states. Tall, handsome pampas grass from South America seemed an ideal addition to dry California landscapes; now it’s spreading onto coastal hillsides and taking over wetlands. Privet, from China, seemed to be such an ideal hedge you can find it boxing off properties from coast to coast, but it’s filling forest understories in every southeastern state. Autumn olive, an Asian import planted widely for erosion control, was prized for its quick growth and soft, silvery foliage. Now, among many other places, it’s infesting the great river canyons in Utah. 

There’s a long list of noxious garden escapees that are crowding out indigenous species. Nearly half of our at-risk natives and 20% of the endangered ones are threatened by non-native invaders. So, if we prize our natural landscapes, exotics of any kind are a potential threat. In a world full of flower lovers, served by a nursery trade dependent on offering new, tempting varieties each year, this is a complicated problem. We are bucking evolution when we move plants from one part of the world to another, whether for gardening or agriculture. The factors that control invasive behavior in one place — birds, bugs, soil chemistry, climate — may not be there in another. Interactions are unpredictable, even when all seems well for many years.

Blue dicks (Dichelostemma capitatum) purple flowered native plants, Novato, California by Betsey Crawford

Blue dicks (Dichelostemma capitatum) Novato, California

Using native plants in gardens is one solution to this multi-layered problem, but it isn’t the only reason to plant for the place we’re in. Reducing our use of pesticides, fertilizers, and water is another compelling reason. As gardeners and homeowners, our vast numbers put us in the forefront of efforts to keep our groundwater, air, and soil healthy. Offering birds, butterflies, and bees the plants they have evolved with protects their habitat and numbers. One gardener on the tour hosts 46 species of birds, 12 species of butterflies, and more than 200 species of insects. If all the homes in a neighborhood created native plant landscapes, it would form a greenbelt of food and nesting sources. Add on more neighborhoods taking the same approach, and you’re knitting together significant territory for wildlife, who leave areas that get too chopped up.  

Mt. Garland clarkia (Clarkia unguiculata 'Mt. Garland'), magenta-flowered native plants in Novato, California by Betsey Crawford

Mt. Garland clarkia (Clarkia unguiculata ‘Mt. Garland’) Novato, California.

These are wonderful reasons for planting natives. And there’s more. For me, preserving the natural landscape is as much a spiritual question as a practical one. Native plants are the soul of their place. The hills surrounding me right now, with their coast oaks, manzanitas, sages, buckwheats, mariposa lilies, sweeps of goldfields, purple needle grass, and hosts of other drought-tolerant, hardy, beautiful plants, speak to me of the spirit of the northern coast of California. Their language is very distinct from the oak/hickory forests, full of mountain laurel, sweet pepperbush and swamp azaleas, or the rolling dunes white with blooming beach plum that I knew on coastal Long Island. And both are utterly unlike the blowing grasses, coneflowers, rudbeckias, and sand lilies of the open prairies. Those plants, in turn, speak a different dialect than those in the deserts of the southwest, or the canyons of Utah, or the mountains of Alberta.

California mock orange (Philadelphus lewisii) white flowered native plants, El Sobrante, California by Betsey Crawford

California mock orange (Philadelphus lewisii) El Sobrante, California

When we replace these varied and specific languages with another, often generic one, we detach ourselves from the spirit of the land we are part of. I was blessed to live for many years in a place of great and wild beauty. Traveling for the past few years has brought me through one paradise after another. The way we have arranged our towns and cities has created far too many dead landscapes, cutting us off from feeling an intimate bond with the unbounded beauty and energy of the earth that created us. This is a great loss because loving the place we find ourselves gives us the courage and vitality to preserve it. Connecting to the plants that are the life of native landscapes literally roots us in the ground of our being.

Orange California poppy (Eschscholzia californica) with purple blue-eyed grass (Sisyrinchium vellum) native plants in Novato, California by Betsey Crawford

California poppy (Eschscholzia californica) with blue-eyed grass (Sisyrinchium bellum) Novato, California

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The Work that Reconnects: a weekend with Joanna Macy

Flannel bush (Fremontodendron californicum) Charmlee Wilderness, Santa Monica Mountains, California by Betsey Crawford

Flannel bush (Fremontodendron californicum), Charmless Wilderness, Santa Monica Mountains, California

I did something recently that I’ve been putting off for a long time: I joined Joanna Macy and twenty-eight other people for a weekend of the Work that Reconnects, workshops she has been developing and offering since the 1970s. I knew of Joanna as a philosopher of both ecology and Buddhism, full of wisdom and deep practice on both fronts. Over the years I would see opportunities to join her. I’d carefully read the description, which always included confronting our deep pain about what is happening with the earth. It sounded profound; it sounded like something I should do; it sounded very painful. I would decide to do it another time. 

There were several threads that went into joining Joanna this spring. I am in Marin for now, just across the San Francisco Bay from her home in Berkeley. She is in her mid-eighties, and I wanted to be able to work with her before she completely passes the baton to others. I listened to an interview with her which made me realize how delightful she is, so I could assume delight would be part of the workshop. And I was in such pain at the drastic backward lurch we took with last fall’s election, that I figured I couldn’t feel any worse. I might even see my way to some clarity and faith, since the weekend was called, after her book of the same title, “Active Hope: how to face the mess we’re in without going crazy.” 

Morning glory (Calystegia macrostegia) taken in Charmless Wilderness, Santa Monica Mountains, California by Betsey Crawford

Morning glory (Calystegia macrostegia) Charmlee Wilderness, Santa Monica Mountains, California

As with many things we dread, it wasn’t what I feared. I found it uplifting, joyous, complicated, loving, inspiring, painful: life distilled into a weekend. The work was even familiar, similar to practices I’d done some years ago at my beloved Genesis Farm, a spiritual and ecological center in New Jersey. There, as here, I sat in circles large and small, paired up, went off alone, all to explore not only what I felt, but where such feelings could lead me, how to operate with them and beyond them. Once again, with Joanna’s group, I learned how much I share with others, and how much comfort their presence on the journey gives me.

There is, sadly, an unending amount of pain and anger to be felt when we are alive to what’s happening on our planet: the loss of habitat, the rate of extinction, the pollution of oceans and rivers, the unraveling of polar integrity as the climate warms, the struggles of species, including our own. The list is literally endless. Though I spend a lot of my time in continual concern about and celebration of plants, when I answered prompts that asked for my worst fears or deepest hopes, my first response was often about the suffering of people:  hungry children, trapped women, exploited workers, refugees with nowhere to go, indigenous people losing their homes and sacred places. The thinking behind the devastation of the natural world is the same thinking that exploits and degrades humans.

Blue curls (Trichostema lanatum) taken along the Mishe Mokwa Trail, Santa Monica Mountains, California by Betsey Crawford

Blue curls (Trichostema lanatum) Mishe Mokwa Trail, Santa Monica Mountains, California

This heightened awareness led to one of the most memorable moments of the weekend. I’ve always assumed that the earth could survive us better than we can survive each other. That, if necessary, she would eventually shrug us off her beautiful shoulders and get on with her very long life. Animals and plants are resilient. Cities would eventually crumble, plants would take root in the rubble, creatures would spread out into their ancient habitats. Other life forms would eventually evolve. There was a certain grief-filled comfort in this. 

Then Joanna led an exercise called ‘milling,’ where we walked around our space aimlessly until she had us stop. We took the hands of the person nearest us and looked into his or her eyes while Joanna spoke of the profound beauty of seeing this unique and precious being, the only one that will ever be. Then we moved on. After about five encounters, we stopped.

Later that day, in another context, a young, radiant rabbi, pregnant with her first child, said that she, too, had always thought the earth would be fine without us. “But,” she said, “when we were milling, I realized that the earth loves us.” 

Monkey flower (Mimulus aurantiacus) taken in the Charmlee Wilderness in the Santa Monica Mountains, California by Betsey Crawford

Monkey flower (Mimulus aurantiacus) Charmless Wilderness, Santa Monica Mountains, California

I was very moved by her, and by everyone there, especially the young people, finding their way. There were heart-rending moments. A man in his mid-twenties wept at the speed of the earth’s losses, and the despair that he can do anything to stop them. Several of his contemporaries wondered if they should bring children into this world. A young woman whose baby had just turned one talked about how much she feels mothers are shamed in our society. Our rabbi spoke of having to be strong for her congregation, who are terrified of the anti-semitism unleashed in the last year.  One woman is afraid the ocean will be dead by the time her 12-year-old daughter, who wants to be a marine biologist, is ready. Another young man talked about trying to resist the lure of violent protest.

Anguish and rage can rise easily when we let them. But we are often afraid to give them space because we have no idea what to do with their force. By closing difficult emotions off, we risk numbing our ability to respond to the urgencies of this time. Or we can be all too willing to feel them, but not to release them, and then be immobilized by a tangle of despair and fury. The constant barrage of things to feel bad about is overwhelming and deeply dispiriting. No matter how much we want to help, we feel like hummingbirds taking a drop of water to a wildfire

Hummingbird sage (Salvia spathacea) taken in Solstice Canyon, Santa Monica Mountains, California by Betsey Crawford

Hummingbird sage (Salvia spathacea) Solstice Canyon, Santa Monica Mountains, California

Joanna has been a Buddhist since the 1960s, when she went to India for the Peace Corps, with her husband and children. Her work took her among newly arrived refugees from Tibet: the young Dalai Lama and the monks that had fled Chinese occupation. Inspired by the peaceful good humor radiating from them, despite all they had been through, she began to study Buddhism, and eventually became a teacher.

So it would be natural that her solution to the problem of pain is simple, ancient and very challenging: be present. Allow it. Breathe it into our hearts and give it room, give it time. Let ourselves mourn and rage. No matter how large or overwhelming, grant whatever comes the space it asks for. And then, breathing out, release it. In all, a process that might require a lot of steady breathing.

Canyon sunflower (Venegasia carpesoides) taken in Charmlee Wilderness, Santa Monica Mountains, California by Betsey Crawford

Canyon sunflower (Venegasia carpesoides) Charmlee Wilderness, Santa Monica Mountains, California

I loved being with Joanna. She is an embodiment of the work she offered us — by turns joyful, angry, full of grief, impish, wise, questioning, organizing, open to the flow. She’s a living version of The Guest House, Rumi’s poem about embracing everything. 

Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out
for some new delight.

Canyon pea (Lathyrus vestiges) taken in Charmlee Wilderness, Santa Monica Mountains, California by Betsey Crawford

Canyon pea (Lathyrus vestiges) Charmlee Wilderness, Santa Monica Mountains, California

That was the steadily opening heart of the weekend: embrace it all, accord whatever comes its place, release it back into the flow, carry on with your thread in the fabric. These difficult emotions arise from our greatest gift as humans: compassion. Joanna moved us through an ever-renewing spiral, from gratitude, to honoring our pain, to renewing our vision, to going forth with the part of the work that we have chosen, or that has chosen us. “Our approach,’ she says in her book, Active Hope, ‘is to see this as the starting point of an amazing journey that strengthens us and deepens our aliveness.”

The pictures chosen for this essay come from a time when my only choice was to live with pain. My partner, George, was dangerously ill with kidney failure, from a reaction to blood pressure medication. There was no possibility of fending off the dread and heartache. I could only do exactly as Joanna said: allow it. I would walk into the Santa Monica Mountains and feel one emotion after another: sadness, fear, anger, love, pity. And, with all of that, transcendence. It was spring, wildflowers were blooming, and they were my solace. Grief, which rose from loving, could also be comforted by loving. 

California buckwheat (Eriogonum fasciculatum) taken along the Mishe Mokwa Trail, Santa Monica Mountains, California by Betsey Crawford

California buckwheat (Eriogonum fasciculatum) Mishe Mokwa Trail, Santa Monica Mountains, California

Damage to the world and its people, which comes from greed and obliviousness, will be slowed and salvaged by love: for the earth, for our fellow creatures, for its waters and air, for the dirt under our feet, for the wondrously intricate web of all beings that we are a part of. This is no simple, ‘love, sweet love’ invocation. The kind of love we need is complex, educated, dedicated to human and more-than-human community.

To rethink the way we do things, we need to rethink what we treasure. We need to re-embed our wisp of human history into the long, deep time of earth history. A profound understanding of our inherence in the natural world is the most nourishing gift we can give both the earth and ourselves. If it’s clear that we are the planet, instead of on the planet, our choices — and our courage to make them — will change dramatically. 

Bush mallow (Malacothamnus fasciculatus) taken in Solstice Canyon, Santa Monica Mountains, California by Betsey Crawford

Bush mallow (Malacothamnus fasciculatus) Solstice Canyon, Santa Monica Mountains, California

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Wild abandon: the mystery and glory of plant diversity

Plant diversity: Tidy tips (Layia platyglossa) and California poppy (eschscholzia californica) on Ring Mountain in Tiburon, California by Betsey Crawford

Tidy tips (Layia platyglossa) and California poppy (eschscholzia californica)

If I stand on the rocky ledge that is Ring Mountain on a spring day, within sight of San Francisco and bustling, built-up Marin County, I will be surrounded by a staggering variety of life. Wildflowers will be blooming: three different mariposa lilies, orange poppies, pink checkerbloom, blue dicks, yellow and white tidy-tips, pink and white buckwheat, two different wild onions, milkmaids, iris in all shades of purple and white. They will be growing among a mix of grasses, some three inches high, others up to two feet, with narrower and broader leaves, and tight or airy inflorescences. Above their heads, hawks and vultures will be wheeling. Sparrows, thrushes and wrens will be nesting in shrubs edging stands of wind-sculpted live oak. A coyote might emerge from among the rock outcroppings, stop at the sight of me, and choose another direction. A snake will make a quick, sinuous getaway at a movement of my feet.

Plant diversity: Blue dicks (Dichelostemma capitatum) taken on King Mountain, Larkspur, California by Betsey Crawford

Blue dicks (Dichelostemma capitatum)

Butterflies of varied hues will float by. Different species of bees will be busy with the wildflowers. The dirt at my feet will be filled with billions of microbes, yeast, and fungi. When I aim my camera lens at a flower for a close up, I might find it full of tiny beetles I couldn’t see without magnification. If I raise my eyes to neighboring Mount Tamalpais, I’ll know of lives there that aren’t here: orchids, trillium, houndstongue, varieties of ferns cascading down hillsides. Bobcats are roaming there, and the tapping of woodpeckers softly echoes through the forest. Just a few miles north, the redwoods will start. Three hours east alpine plants and bears are coming to life under the snow in the Sierra Nevadas. Another hour and I’d be among the desert plants of Nevada. Just west, beyond Mt. Tam, I’ll float among whales, dolphins, seals, and the countless fish and plants that make up the life of the Pacific Ocean.

That’s just a tiny sample of what’s living in one tiny area of the world. And an area that is also full of a wide spectrum of humans, along with our buildings, cars, and roads. It’s not remotely wild here. And yet the sheer exuberance that has characterized evolution is on full display. It’s estimated that there are between 500 and 600,000 plant species on the earth. We’ve identified about 250,000 of them. More are evolving all the time. A 2011 study postulated that there are 87 million species on the planet, but the fungus crowd immediately disagreed with the study’s parameters, saying that fungus alone could eventually account for 5 million species. 

Plant diversity: Coyote mint (Mondarda villosa) on Ring Mountain in Tiburon, California by Betsey Crawford

Coyote mint (Mondarda villosa)

In other words, we don’t know. It’s a noble effort to track all of this, and crucial for species preservation in the midst of a frightening rate of extinction. But lists don’t tell us why we have all this exuberant abundance of forms, on an earth that itself offers a wide array of habitats: mountains, ponds, forests, rivers, deserts, savannah, estuaries, rolling hill country, prairie, arctic tundra, valleys, mud flats, rainforest, oceans, canyons. Evolution clearly chose variety as a driving force. There is innate wisdom in diversity; we’re living proof of its benefits. The mammalian world, including us, exists today because tiny mammals survived the meteor impact that wiped out the dinosaurs 65 million years ago.

Plant diversity: Floral diversity: Douglas iris (Iris douglasiuna) on the Hoo-Koo-e-Koo Trail, Blithedale Canyon, Larkspur, California by Betsey Crawford

Douglas iris (Iris douglasiana)

California hedge nettle (Stachys bullata) in the Golden Gate National Recreation Area, California by Betsey Crawford

California hedge nettle (Stachys bullata)

Genetic diversity within a species is also a strength, which is why sexual reproduction dominates the planet. Having genes from each parent keeps subtly mixing the gene pool, which makes it more likely that plants will gain resilience so they can prosper in their particular habitats. Combining new genes, generation after generation, allows for mutations that give rise to different colors, shapes, and adaptations, leading to a wider variety of species.

But still, I puzzle about this. Why the unbelievable profusion of forms? Why so many sizes, shapes, and colors, so many wondrous and sometimes odd variations? I accept the idea that the wildflowers surrounding me on Ring Mountain evolved to compete with each other for resources and pollinators, but that just moves the question laterally. Why are the pollinators so diverse, and why are their tastes — in nectar, color, pollen, approach — so varied? 

Plant diversity: Soap plant (Chlorogalum pomeridianum) taken in Solstice Canyon, Malibu, California by Betsey Crawford

Soap plant (Chlorogalum pomeridianum)

Though I’m delighted with the way things worked out, I can imagine an evolution that included less diversity. There are many more yellow flowers than purple, pink or red, implying that yellow has an evolutionary advantage. Why didn’t nature stick to yellow? Pollinators could have evolved to suit an all-yellow-flower world. It’s almost as if the creative forces just couldn’t help themselves. Wide petals! Strappy petals! What’s the oddest shape we can think of? Let’s fill California with orange poppies! Let’s surprise everyone and give luminous, silky flowers to tough, prickly cactus! Let’s perfume the roses!

It’s easy to understand why people for millennia would think all this has been put here for our benefit and joy. But those luminous cactus flowers were there for bees and hummingbirds, for the propagation of more cacti, not for human delight. The ancestors of the wind-blown wildflowers on Ring Mountain and the tiny, vivid spring orchids on Mount Tam were around for up to 100 million years before we cast our receptive eyes and processing brains on them and found them beautiful.

Plant diversity: Fairy slipper orchid (Calypso bulbosa) on Mount Tamalpais, Mill Valley, California by Betsey Crawford

Fairy slipper orchid (Calypso bulbosa)

Carl Sagan and Thomas Berry, among others, have postulated the appealing idea that the universe evolved humans to be able to contemplate itself through those eyes and brains. I love this idea, but I also find it hard to wrap my head around. What kind of a universe would this be?   Humans have long attributed consciousness to the cosmos, called by various names, all under the general category of gods. But our gods have always been a lot like us. The Hebrew bible says that humans were created in God’s image. But in reality, the often temperamental god depicted there shares a lot of traits with a warlord living in the Bronze Age, when the stories were first written.

I don’t attribute our brand of consciousness to the creative powers that brought us here with infinite slowness and incredibly elegant detail. But to say that we evolved so the universe can contemplate itself implies a mystery of intent that I struggle — happily — to fathom. Lately, I’ve been fascinated by a particular link between our mind and the universe. I find the idea that every rule governing the cosmos can be expressed — and predicted — by mathematical formulas both astonishing and hard to comprehend. But those who understand this language are filled with its beauty. It intrigues me that a cosmos bound by this intricate code eventually used it to evolve a brain capable of understanding it.

Plant diversity: Yellow mariposa lily (Calochortus luteus) growing in Old Saint HIlary's Preserve, in Tiburon, California by Betsey Crawford

Yellow mariposa lily (Calochortus luteus)

I love all of these questions, but when I’m standing on Ring Mountain — in the middle of a circle that includes ocean, mountain, desert, forest, meadow, rock, sky — I don’t think about math. I celebrate the gifts showering my senses — breeze, color, scent, birdsong. “The most beautiful and deepest experience one can have,” Albert Einstein said in My Credo, “is the sense of the mysterious.” How did I get here, one of millions of manifestations of the surrounding cosmos? Why did this wild abundance come into being?  How did we come to sense all these wonderful things? These delightful mysteries are part of the beauty and joy of this sunlit spring moment.

Plant diversity: Checker bloom (Sidalcea malvifolia) at Point Reyes National Seashore, California by Betsey Crawford

Checker bloom (Sidalcea malvifolia)

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Elegant, wild, mysterious: loving iris

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California by Betsey Crawford

Pacific coast iris (Iris douglasiuna) along the Hoo-Koo-e-Koo Trail, Larkspur, California

I’m indiscriminate in my love for flowers. There are few that I don’t like, and many that I love. But there is something about my feeling for irises that sets them apart. Which is interesting, because I don’t find them to be the prettiest of flowers, or easy to deal with. As garden plants they are fleeting, leaving you with a mass of sword-shaped leaves to contend with for the rest of the season. They grow from horizontal rhizomes which need to be divided frequently to keep the flowers coming. Their color range is limited, often to whites and shades of purple, though bearded iris cultivars can be many shades of yellows, peaches and maroons.

Bicolor bearded iris growing in Manito Park, Spokane, Washington by Betsey Crawford

Bicolor bearded iris growing in Manito Park, Spokane, Washington

Unlike roses or peonies, which open slowly into luscious, inviting, petal-filled bowls, irises are architectural and, though beautiful and elegant, a bit stiff. They start as sword-shaped buds and then open so quickly that I watched last spring as the petals of one almost snapped into place. They are with us for a few days, and then start to fade. That swift passage and their rigid stems make them difficult cut flowers. As photography subjects they are frustrating. Their stiffness and multiple planes make them relatively unphotogenic. It’s hard to find good angles and close to impossible to get all of their ten, often moving parts into focus. 

And yet I love them. And I am far from alone in this love. For centuries, they have been one of the most popular garden flowers in Europe. Even in Linnaeus’ eighteenth century, gardeners had cultivated so many colors he named them after Iris, the Greek messenger goddess, who journeyed to earth on rainbows. The Japanese cultivated and painted them. Leonardo da Vinci, Vincent Van Gogh, and Claude Monet, among many others, painted them. Chinese brush painting has a calligraphy devoted to them. Georgia O’Keefe dove into their most intimate parts.  They are found in ancient Egyptian palaces as well as Greek frescoes dating from 2100 BCE.

Bearded iris growing in Manito Park, Spokane, Washington by Betsey Crawford

Bearded iris growing in Manito Park, Spokane, Washington

As with most flowers, I prefer the simpler, native forms, found in their native places, but the complex bearded cultivars bred for gardens are beautiful and fascinating, and make it easy to spy on the iris’ sex life. At the top of the hanging sepals, the falls, is a ‘beard’ of filaments, leading between the upright blades of the petals, or standards. This inviting doorway, often marked by vividly colored nectar guides, gives pollinating bees, plenty of room to land and a clearly marked way in. As they arrive, they brush against the stigma, the tiny, purple horizontal shelf above the beard. Here they deposit the pollen carried from the last flower, thus starting the fertilization process. Then, as they sip nectar, more pollen from the anther tucked under the stigma collects on their bodies. On leaving, they back out, under the stigma, so they don’t lose their new load of pollen. 

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California by BetsyCrawford

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California

The native irises are simpler, unbearded, smaller and finer textured than the garden varieties. The standards and falls are less opulent, as well as less colorful, being largely limited to pure white, cream, lavenders and purples. On the eastern end of Long Island, in New York, where I spent many years, the blue flag, Iris versicolor, was a rare and lovely sight. I was thus unprepared for my first spring on the Pacific coast. 

The central California natives, like Iris douglasiana and fernaldii, produce nectar for their long-tongued, pollen-laden bees in three tubes formed as the sepals and petals curve into the ovary. They can also be wind pollinated, with plenty of wind available. And they colonize open meadows and woods vegetatively, spreading via their rhizomes. 

Pacific coast iris (Iris douglasiuna) along the Hoo-Koo-e-Koo Trail, Larkspur, California by Betsey Crawford

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California

All this reproductive vigor means that in March and April, the California coastal hills are an iris addict’s dreamscape. Though individual flowers last only five days, more keep coming, so that you can walk among them for weeks, depending on the places you go. The more they spread out their blooming, the more nectar the community produces to attract bees, and thus more seeds get fertilized. The staggered opening of flowers on one stem, and the pooling of nectar in the first flower to open, discourage bees from visiting more than one flower per stem, which means they take their pollen load to neighboring stems. This approach strengthens the colony by cross-pollination, and often creates hybrids by crossbreeding with neighboring species. 

Fernald's iris (Iris fernaldii) on Ring Mountain, Tiburon, California by Betsey Crawford

Fernald’s iris (Iris fernaldii) on Ring Mountain, Tiburon, California

Producing such large and intricate flowers creates an advantage in attracting and accommodating pollinators, but takes a lot of energy. To provide large stores of sugar to tuck in their rhizomes, the upright leaves catch the sun from all directions and are among the few that photosynthesize on both sides, rather than just the top. All this evolutionary intelligence means that iris have found homes on every continent, and almost every state and province in North America. Though native stands are threatened, as ever, by bulldozers and the loss of pollinating bees, the flower communities themselves are strong and resilient.

All of these details explain how the flowers grow and prosper, but they don’t explain irises, and therein lies the mystery. These evolutionary choices are themselves mysterious. Why upright petals? Why stiff stems? Why purple and not orange? Why attract bees and not flies? Those are all fascinating to ponder. Yet flowers, like the rest of us, are not their reproductive habits, their petals, their relationships to bees, their beauty, their extraordinary ability to turn pure light into sugar. They are voices of the great forces that have brought — and are still bringing — the whole cosmos into being. Their alluring beauty wasn’t designed for us; they preceded us by 130 million years. We, more likely, were designed for their benefit, with the right eyes and brains to perceive and love them.

Fernald's iris (Iris fernaldii) on King Mountain, Larkspur, California by Betsey Crawford

Fernald’s iris (Iris fernaldii) on King Mountain, Larkspur, California

Why would we evolve to love them? Is loving beauty part of the design, to keep us attached to life and the earth we arose from? Is it part of the earth’s ability to protect herself? In the last week, President Obama added 6,230 acres of land to the California Coastal National Monument. There is science in these decisions, relating to issues like marine and coastal health. There are considerations of the public good, the environmental benefit, the preservations of natural treasures.

But it’s not abstract theory that inspires us to preserve the beauty of the world. It’s the utter gorgeousness of the planet itself that drives people to say, don’t bulldoze this, don’t make this a parking lot, don’t drill an oil well here. We have certainly not paid enough attention, and have let go of enough treasure to break our hearts anew every day. We need plenty of theories to even partially mitigate our losses. But, in the end, the impulse to preserve the coast wasn’t supplied by ideas, but by standing on the bluffs with the wind off the sea, the waves crashing below, knee deep in irises, deeply in love.

Pacific coast iris (Iris douglasiana) on Ring Mountain, Tiburon, California by Betsey Crawford

Pacific coast iris (Iris douglasiana) on Ring Mountain, Tiburon, California

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