Monthly Archives: December 2017

Songlines 2017: widening circles

A wild rose, Rosa woodsii, in Coeur d'Alene, Idaho by Betsey Crawford

I live my life in widening circles
that reach out across the world

These words, from Rainer Maria Rilke’s exquisite Book of Hours, are slightly paradoxical because this year we traveled less than any of the other years since we set off on our journey in 2011.  My partner George’s health isn’t up to life on the road at this point, so my songlines this year became widening circles around Greenbrae, California, just north of San Francisco, where there is a whole world to explore. California hosts one of the most diverse native plant populations in the country and is home to snow-capped mountains, oceans, deserts, grasslands, coastal forests. Earlier this year I celebrated this extraordinary mix within easy reach in Wild Abandon: the Mystery and Glory of Plant Diversity. 

Fairy slipper orchid (Calypso bulbosa) on Mount Tamalpais, Mill Valley, California by Betsey Crawford

Fairy slipper orchid (Calypso bulbosa)

Californians also care deeply about saving wild places. Half of the state is preserved land, an extraordinary accomplishment. I marvel at the knowledge of native plants and birds I find when meeting lawyers, nurses, teachers, business people on walks and hikes. In May, I joined a bioblitz for the first time. In fact, it was the first time I’d ever heard the word. I wrote about the fun we had cataloging every living thing within a small area of Mount Tamalpais in Blessed Unrest: the Bioblitz. It’s a celebration not only of our day but of the millions of people around the world who are taking actions, large and small, to save and repair the world.

White-lined sphinx moth (Hyles lineata) Gary Giacomini Open Space Preserve, Woodacre, California by Betsey Crawford

White-lined sphinx moth (Hylea lineata) 

Rilke’s quote comes from one of the highlights of the year: spending three days with the ecological and Buddhist philosopher, Joanna Macy. Her Work that Reconnects helps people to confront their grief at what is happening to the earth, and to renew their commitment to the work they feel called to do. Rilke’s genius has supported her ever since she discovered him when she lived in Germany in her twenties, and her translation of his poetry punctuated our time with her. In The Work that Reconnects: a Weekend with Joanna Macy, I wrote about the extraordinary, moving circle of twenty-eight people, young and old, who gathered to move through Joanna’s spiral of gratitude, grief, and renewal. I found it uplifting, joyous, complicated, loving, inspiring, painful: life distilled into a weekend

California poppy (Eschscholzia californica) El Soprante, California by Betsey Crawford

California poppy (Eschscholzia californica) 

Out of the time with Joanna came other circles. There were several landscape designers there, and one of them, Susan Friedman, had a number of native plant gardens on a tour in early May. So, off I went. I described what I found in Retaining Paradise: Gardening with Native Plants, and wrote about a longtime passion: using our gardens to recreate the bird and animal habitat that built-up neighborhoods inevitably destroy. 

Tall thistle (Cirsium altissimo) and bee, Golden Prairie, Golden City, Missouri by Betsey CrawfordJoanna’s workshop was held at Canticle Farm, an urban farm in the heart of Oakland. While we were there, the bees from the beehive swarmed, as they got ready to leave for a new home. This inspired Susan, who’d been thinking about having a hive, to find a class on beekeeping. It had never occurred to me to do such a thing, but when she asked if I was interested, I instantly wrote back, ‘of course.’ I loved our day with the bees, and chronicled it in Treasuring Bees, Saving the World

Rock tunnel along the road in southern Utah by Betsey CrawfordOur life on earth is tied to the health and life of the bees, which can also be said of many things, including dirt. In The Intimate Bond: Humans and Dirt, I treasure its multi-faceted community and innate intelligence, which made it possible for us to evolve and keeps every living thing on earth going. Dirt is not cheap! Much of the urgent need to take care of the thin layer of soil on our planet lies in the endless time frame it takes to form it. Focusing on Utah, where you can literally drive through the planet’s ancient past, I explored its mysteries and consolations in The Solace of Deep TimeBlack crowned night heron in Corte Madera Marsh, Corte Madera, California by Betsey CrawfordIn Greenbrae, I live near a lagoon that attracts a wonderful, shifting community of shorebirds all year. Around Easter an avalanche of ducklings started, family after family of adorableness so acute I was addicted to that walk for three months. This handsome night heron is part of  A Season of Birds, where I describe my happy visits to the vibrant life there — which included an unusual extended family — and honor the necessity and hard work of preserving and reclaiming such lands. 

Pacific coast iris (Iris douglasiana) along the Hoo-Koo-e-Koo Trail, Larkspur, California by Betsey Crawford

Pacific coast iris (Iris douglasiana) 

And, of course, I spent the year celebrating flowers. For a few weeks each spring, California is an iris addict’s paradise. I wrote about my feelings for these bewitching flowers in Elegant, Wild, Mysterious: Loving Iris, and suggested that flowers’ ability to inspire love may help save the planet. I discussed the complications of our gorgeous roses in Passion and Poison: the Thorn in the Rose. In early August I explored one of the most joyful flower families on earth in One Big Happy Family: the Asteraceae, and created a gallery to show their beauty and wide diversity
Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford
Then, later in August, on a trip to New York, I was able to do something I can’t do in California: stand in a sea of goldenrod. Naturally, that called for celebrating the way this extraordinary explosion of luminous yellow connects us to the heart of nature in The Gold Rush: the Joyful Power of Goldenrod. I also visited an early childhood home, set in a magical green world. I wove my memories and my realization about how deeply that time affected the life I’ve lived into A Girl in the Garden of Eden.

For Halloween I thought choosing ghostly white flowers for Happy Halloween: Ghosts in the Landscape would be fun, and it was. To my surprise, the fun turned out to be exploring why we have white flowers at all, and how their chemistry is related to ours. That post, too, inspired a gallery: Luminous Whites.

Bush anemone (Carpenteria californica) white flowered native plants, San Ramon, California by Betsey Crawford

Bush anemone (Carpenteria californica)

The only essay I didn’t write was written by Pope Francis. Laudate Si Repictured is an interweaving of words from his eloquent encyclical on the care of the earth with pictures of our beautiful planet. One of the quotes encapsulates the message I kept finding on my circling songlines this year:

All of us are linked by unseen bonds and together form a kind of universal family, a sublime communion which fills us with a sacred, affectionate and humble respect.

Human and seagull footprints in the dirt in Kenai, AlaskaLoving the place we find ourselves will give us the strength and vitality to preserve it. Damage to the world and its people will be slowed and salvaged by love: for the earth, for our fellow creatures, for its waters and air, for the dirt under our feet, for the wondrously intricate web of all beings of which we are a part.  A profound understanding of our inherence in the natural world– the idea that we are the planet, not on the planet — is a gift we give both the earth and ourselves. 

I wish you all a new year of love, commitment, and beauty.

Celebrating Laudate si: clouds reflected in Dease Lake, British Columbia

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

Related posts: 

The gold rush: the joyful power of goldenrod

Canada goldenrod (Solidago canadensis) and Joy Pye weed (Euchotrichum maculate) Westport, New York by Betsey CrawfordOne of the blessings of a visit to New York late last summer was seeing something I miss in California: a world awash in goldenrod. A member of the vast and happy Asteraceae family, Solidago canadensis, one of a hundred species of native goldenrods in the US, overflowed fields and banked roadsides near my sister’s house in the Adirondacks. Filled with tiny yellow daisy-like flowers up close, looking like an explosion of yellow fireworks from a near distance, and like a sea of sparkling yellow foam from a greater distance, goldenrod is the late August and September wildflower in most of the country, along with its aster companions.

In her passionately wise and luminous book, Braiding Sweetgrass, botanist Robin Wall Kimmerer tells the story of her first interview with her advisor at the State University of New York’s School of Environmental Science and Forestry. Why, he asked, did she want to study botany. She had her answer ready: she wanted to know why goldenrod and asters look so beautiful together. His answer was crushing. That, he said, was not a valid reason to study botany. Such considerations belonged to art, not science. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

Luckily for us, she was, though daunted, not discouraged, and later found other, more sympathetic teachers and mentors. But for a while, she left the indigenous knowing of her heritage behind while studying science as it was presented in her courses. It wasn’t until she was studying for her Ph.D. in Wisconsin that she found herself at a gathering of native elders who could speak of the depths of plants in ways her botany classes had not: their relationships to other plants, to the places where they grew, to the animals, birds and humans in their midst. The stories of their origins and names. The wisdom they have to share. 

And their beauty. As an artist, I would have happily explained (as artist friends did) that yellow and purple look so beautiful together because they are complementary colors. Each primary color, in this case yellow, has a complement composed of the other two primaries, here red and blue, creating purple. Complementary colors have a powerful synergy, both making the other zing, creating a combination more electric than, for example, pink and purple. However lovely the latter combination, it will always be less exciting to our brains than pairing purple and yellow, or orange and blue, or red and green. These are not the combinations you’d think of for a meditation garden. But if you want to look at a field of scintillating color, or add excitement to your garden, your painting or your wardrobe, interweaving complements is a surefire way to do it.

Pasture thistle (Cirsium discolor) and Canada goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin by Betsey Crawford

Pasture thistle (Cirsium discolor) and Canada goldenrod (Solidago canadensis) Curtis Prairie, Madison, Wisconsin

Other than red flowers against green leaves, nature hasn’t gone out of her way to combine complementary colors. And red flowers are relatively rare, orange even rarer, and true blue almost nonexistent. Purple is fairly common, and yellow abundant. All are dwarfed by the numbers of white flowers, which offer no opportunity for complementary drama. So it’s especially striking when nature has not only combined complements but thrown them about with as much abandon as she has goldenrod and asters. Robin Wall Kimmerer was talking specifically about New England asters, with their deep purple petals and deeper-than-goldenrod yellow centers. The stronger the purple, the more scintillating the combination, though with the many lighter asters, and with the pink-purple thistle shown here, the combination is still electric. 

New England asters (Symphyotrichum novae angliae) courtesy of the Ohio Department of Natural Resources

New England asters (Symphyotrichum novae angliae) courtesy of the Ohio Department of Natural Resources

But I agree with her about goldenrod and New England asters: their combined gorgeousness is a perfectly good reason to want to study botany. And while it may be true that aesthetics are not the province of science, there’s fascinating science connected to beauty, starting with the exquisitely sensitive cones nestled in our retinas. Millions of neurons, waiting to encode for our brains the light waves bouncing off the world around us. Two-thirds of our cones are dedicated to the longer wavelengths of the warmer colors — like the yellows of goldenrod. Another third is devoted to the seeing their green leaves. Only 2% of our cones are reading the purple aster petals, which reflect back the shortest wavelengths of light. 

Late purple aster (Symphyotrichum patens) and Canada goldenrod (Solidago canadensis) along the road in northern New York by Betsey Crawford

Late purple aster (Symphyotrichum patens) and Canada goldenrod (Solidago canadensis) along the road in northern New York

Why yellow and purple? Carotenoids in the goldenrod and aster centers, and anthocyanins in the aster petals. Chemicals that reflect those colors back to us, and, among other things, protect the flowers from too much of the ultraviolet light we can’t see, and that burns both our skin and the petals’. To bees, who can see in the ultraviolet spectrum,  goldenrod’s yellow is even more incandescent than it is to us. But they hardly need the pizazz. There are so many solidagos, with so many individual flowers per plant, in so many places that they can’t be missed. Bees abound in those fields, picking up the sticky, heavy pollen and bringing it back to the hive to make bee bread for the winter.

I think it’s the sheer exuberance of the solidago phenomenon that I love so much. This is nature at her most joyful, maybe even her whackiest. Why not throw millions of luminous yellow flowers out there as most other flowers fade? Throw in some purple for dazzle! Turn the neighboring leaves vivid red and orange! Provide winter food for thousands of tiny creatures who return the favor by pollinating the flowers. Create larger creatures to stand in the fields, with carefully crafted eyes connected to brains capable of awe. Fill them with wonder at what has been wrought. Those wildly yellow early autumn fields are a sign of a creation that can’t be stopped. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

I take a lot of comfort in this vast energy. Although such fields are plowed and bulldozed daily for grazing or agriculture, houses or parking lots, this sheer vibrancy tells me nature is far from fragile in the face of her heedless humans. Another essay in Braiding Sweetgrass details the destruction of Lake Onondaga, sacred to the Onondaga people of upstate New York. After more than a century of pumping industrial waste up to sixty feet deep into and around the lake, along with the sewage of the growing city of Syracuse, it’s now a Superfund site. In fact, nine Superfund sites. Long gone are the wetlands, the trees, the oxygen-generating plants, the moss, the birds, the frogs, the once crystal clear water.

The same story can be told of countless places. The details vary, the heartbreak is painfully similar. There is a lot of restoration going on, even if grudgingly on the part of the corporations and governments that caused the destruction. People the world over are pulling beloved, damaged places back from the brink. The same is happening with Lake Onondaga. There are attempts, some good, some bad, to restore a semblance of natural life to this dead landscape. Of the ones described in the essay, my favorite is the work being done by nature herself, who sent the ‘oldest and most effective of land healers…the plants themselves.’

Seeds of trees took root in the white, gluey sludge and slowly grew. Birds landed in their branches and dropped the seeds of berrying shrubs. Clovers and other legumes, among the most important of our plant allies, arrived and began pulling nitrogen into the muck. The endlessly adaptable grass family moved in. Their roots add humus, and the first glimmering of soil making can be seen. 

It’s a slow process of enormous strength, and one we can trust. That’s where I take comfort. Of course, we should be doing everything in our power to stop the destruction and repair the damage. Nature should be able to rely on us, too. But as she asks, she also inspires.  When we need courage, and ardor, and zeal for this work, she invites us to stoke those fires by standing in the midst of a sea of goldenrod as it pulses with energy, radiating her vibrant, enduring, indomitable heart. 

Canada goldenrod (Solidago canadensis) Westport, New York by Betsey Crawford

Canada goldenrod (Solidago canadensis) Westport, New York

I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.

Related posts: