There are moments that tilt life, even if we don’t know it at the time. Not the big moments, when our paths take sudden and dramatic turns, like locking eyes with the stranger who will become a great love, or taking your child in your arms for the first time. The quiet ones. Moments that say, from now on, your path will change. It may not be a dramatic shift, just a tilt, but it may make all the difference. The photos accompanying this post are from one such tilt.
One tilt can lead to another, even eleven years later. When my dog, Splash, came into my life in 2001, she created a tilt, for the simple reason that she never understood cars, and I couldn’t let her off leash anywhere a car was conceivable. I started taking her on trails, mostly through the woods of Montauk, at the eastern tip of Long Island, and so started an entirely unexpected chapter of my life. The most important aspect of that chapter, for this post, is that I began taking my camera with me everywhere we went.
I wasn’t new to photography, but up until then it had been about things — my son, trips taken, gardens I designed, flowers I wanted clients to see. In the woods it became aimless. As my eyes lit on something that touched me, I took a picture of it.
This produced a bunch of very uninteresting photos. It took a while to convince me that the camera and I see the world differently. My eyes can pick out the truncated branches and twisting trunk of the dead tree that looks like a rough-hewn angel. The camera records every branch and trunk in the neighborhood, so the fascinating dead tree is barely evident. One spring I was convinced that I could convey the castle-like qualities of aging stumps, with their upper edges worn into crenellations and their ramparts of moss. The camera, lacking my imagination, recorded a bunch of old stumps.
I kept going. There were delicate wild azaleas and cascades of mountain laurel in the spring, sweet-scented clethra in early summer, gold grasses and red sumac in the fall, light glimmering on the water, tracery of branches in the winter. It was part of the meditation and the fun of being in the woods season after season. The camera and I began to come to grips with each other’s strengths and limitations.
When we left on our journey in 2011, I had been making mandalas for a few years and was still working on them as we traveled. The easiest art to practice on the road, however, was photography, since it involved no supplies, no setting out or cleaning up. I could just grab my camera and go, and it went everywhere with me, recording our adventures.
That didn’t change dramatically in May, 2012, but it tilted. I came to Coeur d’Alene, Idaho, for a month off. My partner, George, had had complicated surgery in February. In April we’d made a trip to the east coast to see friends and family and to finalize the sale of his boat. He stayed in the east to do that, and I came to Coeur d’Alene. It wasn’t a happy time. We were both exhausted and out of kilter. My son, Luke, the main draw in this neighborhood, was going through his own challenges. I spent an unusual amount of time, for me, just sitting and watching the Spokane River go by.
But something wonderful was happening on Tubbs Hill, a promontory into Lake Couer d’Alene, a wild place, full of trails, right in the middle of town. It was a banner year for wildflowers. Everything was blooming in full force. Once I saw this, off I went, morning and evening, taking pictures of the whole show, starting with a patch of shooting stars, out on a small ledge over the lake, their vivid pink glowing in the late afternoon sunlight.
I left the trail and got down on the ground with them, taking picture after picture, day after day, as they bloomed, faded, and went to seed. Lying in the golden sunlight, in the cool May evenings, with my dog Splash settled near my feet, was heaven, and as flower succeeded blooming flower, a heaven that lasted for weeks.
One day, a few weeks into the season, I was lying on the ground taking pictures, just off a little-used path. After a while, I sat up and looked around. I’d forgotten where I was, and everything rushed into my heart at once — the cool, dense earth I was sitting on, the trees soaring above me, the sun showering through the leaves like ethereal gold coins. The lake glinting off to my right, the green breath of plants surrounding me. The delicate beauty of the wildflowers. My passion for them.
Let the heart love what it loves, says my favorite sutra. Life tilted, and the tilt has made all the difference.
I’d love to have you on the journey! If you add your email address, I’ll send you notices of new adventures.[madmimi id=178565]
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So, I’m reading along, basking blissfully – as I inevitably do here – in your lovely images and insightful prose, and then the last two lines and that photo… And “The Other Thing” is present again.
MLAA
I love the concept of ‘the other thing.’ Simple and deep. Thank you, dear friend.
Thank you for such a beautiful, rich verbal and visual description of your journey! It seeped into my whole being bringing the peace of being in the flow of life-yours and mine.
Thank you, Marcia. And isn’t it wonderful how we share these journeys, flowing into each other’s, everything getting larger and richer in the process?
Your words speak to my heart and awaken something in me.
I love the way you see the world, and I’m going to take the idea of the small tilts and transformation with me in my dreams tonight.
Lovely, Venus. Thank you.
Betsy,
Lovely journal entry and beautiful photos…sounds like you are finding your “place” and your happiness. I am so happy for you. I feel like I have been on a journey, as well, having moved to South Carolina almost 2 years ago…it takes time but I believe if you are looking for “it” you will eventually find ” it”.
Kathy
Thank you, Kathy. Love seeing you here! Your comment reminds me of my favorite line in one of my favorite books, The Silver Chair, by C.S. Lewis, one of his Narnia books. His divine-energy-as-lion, Aslan, starts to tell the heroine why he called her into that world. She objects, saying that they called him. And he says, “You would not have called to me unless I had already been calling to you.” I also loved an idea I came across — that our future selves are continually calling us into being.